I'll get my hug and give all them after I say my piece. Eric Clapton's vocals on 461 Ocean Boulevard ARE great. Fantastic. Mint Condition. His vocals were not great in Cream if one is looking to find fault with them. They became good in Derek & The Dominoes, vastly improved with his first solo release, which incidentally, not unlike some of Joe Bonamassa's continuing saga, brought derision, scorn, mockery, flippant / tasteless / senseless / mean statements insinuating a worldwide devaluation of Eric's talents (previously thought to be "only as a guitarist"). Eric made a HUGE statement about how he was going to do music, still inherently blues-based or at the very least in some of his later works, tinged, and would not, could not be placed into a box in a corner, nor be willing give up being true to himself one iota. Everything came together for Eric Clapton on and AT 461 Ocean Boulevard, and neither song, vocals, or guitar loses out in any small way whatsoever, thereafter on to this day. He finally had his act totally together. Certainly worthy of being "one of my favorites", .
I reserve any comment regarding David Knowles and Back Door Slam because I am a one man jury still deliberating. I don't buy hype as well as I sell it.
Rock On & Keep the Faith, Hope, & Love,
Rocket
"He still doesn't charge for mistakes!
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http://jbonamassa.com/tour-dates/"Everybody wants ta get inta the act!"
“Now, this isn’t your ordinary party crowd, here. I mean, there are professionals in here.”