Topic: Plymouth Pavillions 21 March

Thank you Joe for a great show in Plymouth last night. However, in the interests of balanced reporting there a few points
I must add:

You said that the last time you were in this part of the world was Tavistock about a decade ago. You did in fact play the Plymouth Pavillions in October 2011. I know, I was there. You were recovering from a British Cold so it may have impaired your memory. However, it is something to keep an eye on and seek medical advice if your memory lapses become more frequent.

That horrendous abomination known as the Bonabird should have been strangled at birth. It sounds fine but it hurt my eyes to look at it. But that's just my opinion.

I really don't like your current version of Sloe Gin. The 2009 RAH version of the song is possibly the best guitar playing I have ever heard. For me, the current arrangement is a pale imitation.

I'm now really looking forward to the British Blues Tribute concert at the Colston Hall in Bristol in July.

Re: Plymouth Pavillions 21 March

Hi also was at the 2011 show!!
A good night last night preffered the original version of never make your move too soon, with the new band line up with horn section and keys being more dominant please be careful not to loose that edgeyness you have an important element
Some excellent playing by all the band thank you

Re: Plymouth Pavillions 21 March

RichardH wrote:

Thank you Joe for a great show in Plymouth last night. However, in the interests of balanced reporting there a few points
I must add:

You said that the last time you were in this part of the world was Tavistock about a decade ago. You did in fact play the Plymouth Pavillions in October 2011. I know, I was there. You were recovering from a British Cold so it may have impaired your memory. However, it is something to keep an eye on and seek medical advice if your memory lapses become more frequent.

That horrendous abomination known as the Bonabird should have been strangled at birth. It sounds fine but it hurt my eyes to look at it. But that's just my opinion.

I really don't like your current version of Sloe Gin. The 2009 RAH version of the song is possibly the best guitar playing I have ever heard. For me, the current arrangement is a pale imitation.

I'm now really looking forward to the British Blues Tribute concert at the Colston Hall in Bristol in July.

You may have been saying it alittle tongue in cheek but the man has been many many places and tours constantly. I'm sure a few slip ups would happen to any one. I disagree on the bonabyrd. There are far more egregious examples of strange guitars by far.

Guitars: Gibson 2015 LP Traditional in Honeyburst, Gibson LP Studio Deluxe, Fender American Deluxe Telecaster, MIM Fender Strat with Dimarzio Areas, MIM Fender Hss Strat,  Epiphone Sheraton II, Breedlove Acoustic
Amplitube 4 with Scarlett 6i6 and 2i4 interfaces through studio monitors.

Re: Plymouth Pavillions 21 March

misthunter210 wrote:
RichardH wrote:

Thank you Joe for a great show in Plymouth last night. However, in the interests of balanced reporting there a few points
I must add:

You said that the last time you were in this part of the world was Tavistock about a decade ago. You did in fact play the Plymouth Pavillions in October 2011. I know, I was there. You were recovering from a British Cold so it may have impaired your memory. However, it is something to keep an eye on and seek medical advice if your memory lapses become more frequent.

That horrendous abomination known as the Bonabird should have been strangled at birth. It sounds fine but it hurt my eyes to look at it. But that's just my opinion.

I really don't like your current version of Sloe Gin. The 2009 RAH version of the song is possibly the best guitar playing I have ever heard. For me, the current arrangement is a pale imitation.

I'm now really looking forward to the British Blues Tribute concert at the Colston Hall in Bristol in July.

You may have been saying it alittle tongue in cheek but the man has been many many places and tours constantly. I'm sure a few slip ups would happen to any one. I disagree on the bonabyrd. There are far more egregious examples of strange guitars by far.

I agree on the Bonabyrd. It is foul. Joe said at Mr Kyps that when you're on the road for a living you do end to lose track of Geography plus an arena is an arena is an arena.... Must be an nice problem to have! Forgetting which arenas you've plated at already!  smile

5 (edited by MINI_Zoso 2016-03-27 06:40:35)

Re: Plymouth Pavillions 21 March

I agree on the Bonabyrd. It is foul. Joe said at Mr Kyps that when you're on the road for a living you do end to lose track of Geography plus an arena is an arena is an arena.... Must be an nice problem to have! Forgetting which arenas you've plated at already!  smile



It is foul!  Cute!  I didn't care for it either but it is a guitar that has grown on me.  Hoping to see it at Red Rocks.  But knowing Joe and the fact it will be a tribute to the three British Kings, I expect not.

As for changing a song or an arrangement, I understand that one too...Django is the one Joe is not allowed to touch as far as I am concerned.  Again, RAH version.

Steve

2011 Gibson Joe Bonamassa Les Paul Studio...among others.
Beacon Theater, New York, May 18, 2013/Keeping The Blues Alive at Sea, Feb. 17-21, 2015/3 Kings Tour, Bangor, ME, Aug. 12, 2015

Re: Plymouth Pavillions 21 March

One of the things I have always enjoyed about Joe's music is that he DOES constantly change them up - and over time he changes them up quite a bit.  Biggest change I can think of is Mountain Time.  Sometimes I enjoy the newer version, sometimes I don't, but I know it will change again sooner or later.  I've been seeing him since 2004 and I'm still here.

Sandy

"There's a lot of people that are in so much of a hurry to be, I guess, to be famous or that they don't want to take the time to learn to play and do all that.They'd rather just knock it down off a computer and maybe get on a game show and get famous..That's fine if that's what you want to do.
"We're more old school than that. We like creating the sounds."  - Tom Petty