Topic: DD3 or Carbon Copy Analog Delay & MXR OD M-66 / M-193 or TS 808 Ibanez

It's look like is a Mathématic question but like you Know ,it's just about to found a nice sound with différent pédals.
I got a MXR Dyna Comp and playing this one with m'y JB Fuzz Face ,it's Sound very good to me,i triyed aswell with MXR Micro Flanger ,that was ok,i just have to figur out in witch order they play best.
What do you think about
MXR OD M-66 & OD M-193
MXR Carbon Copy Analog Delay
And
MXR Distortion +
Thanks for any help,

Best Regards / loic

Epiphone Les Paul 1989 with bridge & neck WCR DarkBurst set pickups , Burny Les Paul Custom från 80 ' late with bb2 & bb3 ,Fender Princeton Reverb 68 , Joe Bonamassa Face Fuzz Dunlop ,MXR Micro Flanger , Ts 808 tubescreamer reissue , Boss DD 3 made in Taiwan ,  MXR Dyna Comp , MXR Distortion +,MXR Joe Bonamassa Fet Driver

2 (edited by helrazr84 2011-12-14 20:30:26)

Re: DD3 or Carbon Copy Analog Delay & MXR OD M-66 / M-193 or TS 808 Ibanez

I'd go Comp, Fuzz then Overdrives/distortions, modulation (flanger) pedals, then Delay, then Reverb if you're using a reverb pedal.  Assuming you're putting everything into the front of your amp and not using an effects loop.


Basically, Compressors work good near the beginning of the chain.  I always keep mine after the wah just because I like the wah pedal on the end..  Next: either Fuzz or Overdrives, distortions. Then whatever else you have and keep the delay last followed only by reverb if you're using reverb. If so, reverb last in line.


Everybody's gonna tell you to switch things around to find a combination that sounds best to you, but the above guidelines are the basic ground rules. -Seth

Re: DD3 or Carbon Copy Analog Delay & MXR OD M-66 / M-193 or TS 808 Ibanez

helrazr84 wrote:

I'd go Comp, Fuzz then Overdrives/distortions, modulation (flanger) pedals, then Delay, then Reverb if you're using a reverb pedal.  Assuming you're putting everything into the front of your amp and not using an effects loop.

+1