chooseyourblues wrote:stratpaulguy86 wrote:It all depends on the types of delay and how you set it up in your rig. Effects loops are preferrable, but not always neccessary. In my recent Metro Superlead demo I ran both a reverb and delay before the amp ala Eric Johnson and it seemed to work just fine. You have to be careful with feedback/level controls for sure. I'm actually warming up to the "ducking" sound that you get when you run a delay in front of a cranked tube amp. Tape-style echos seem to work particularly well in front of amps in my experience...
I always thought EJ's reverb came from the Fender Twins he blended with the Plexi's?
Did he use additional reverb? I love the tone he gets at the start of the hotlicks video.
http://www.youtube.com/watch?v=T8P8WwzDeCI
Must have been a big influence on Joe for starting to blend amps.
You are right, at one time EJ jumpered one output from a Twin Reverb into the Marshall for reverb. He explains this on that old GIT bootleg. Later on, during that magical '84-'88 period he had a seperate reverb tank dedicated to the Marshall. The Dumble SSS had reverb already, as did the Twins. The HotLicks tone is definately sick!
In regards to the whole delay/reverb in front arguement, everyone's experience will be different. I have experienced problems with certain guitars/pedals/amps and with others it works fine. You have to experiment to make things work for YOU, not Joe or whomever. There were plenty of guys getting killer delay and reverb sounds long before the days of effects loops, though I'll stand by my opinion of effects loops. They make it a lot easier to use reverbs/delays without getting in the way. Takes a lot of the finessing the effects out of your gear IMO.
'67 and '74 Fender Twin Reverbs, '74 Marshall 1987 lead mkII, Metro Superlead 100. Pedals from TC Electronic, Ibanez, Dunlop, BK Butler, Electro-Harmonix, Fulltone, Maestro/Gibson, Loopmaster switching, VoodooLab, Boss. Gibson and Fender guitars, Dimarzio pickups.