Finally! The long awaited clips! I'm digging it Alex, the HRM definately warms the sound up! While I liked your Budda and Ceriatone 2550 together for the old brighter Joe Bonamassa tone (ANDY, Blues Deluxe, Had to Cry Today), Joe's current tone is a lot smoother and warmer. The HRM and 2550 nail his current tone IMO. I know the camera is doing that rig no justice though because, despite the wonderful compliments on my videos, I don't really think it's close to how it sounds in person. I'd say 60%-70% at the most. What I dig about this particular mix is when you play lower notes the thicker (syrupy ) tone is more noticable but when you hit the higher notes the Marshall seems to jump out more. I also love the "chirpy" softer high end that the HRM adds that IMO can only be had from a Dumble inspired amplifier. Really tames the more aggressive highs of any Marshall amp. Now I'm really wanting a 2555 for my HRM100...Can't wait until you add the Fuchs Verbrator and some chorus too . One more thing Alex, perhaps you could check out an amp selector that has ground lifts on it so you can make your rig absolutely silent. The hum is not overwhelming, but it's a simple thing that makes a big difference IMO. Besides, it beats the heck out of having to use the standby switches so much! Some suggestions: Radial Bigshot ABY, VoodooLab Amp Selector (overkill really, but it's sick!!), and I think Lehle makes one too. Sounds KILLER man, congrats!
-Justin
'67 and '74 Fender Twin Reverbs, '74 Marshall 1987 lead mkII, Metro Superlead 100. Pedals from TC Electronic, Ibanez, Dunlop, BK Butler, Electro-Harmonix, Fulltone, Maestro/Gibson, Loopmaster switching, VoodooLab, Boss. Gibson and Fender guitars, Dimarzio pickups.