Re: Clapton discussion

bigjeffjones wrote:

I've said this before.  We are entitled to our opinions, right or wrong is not really the issue.

Without denying the genius of Peter Green, he's not the factor in todays music that Eric Clapton is.  Who is qualified to say that one is more or less deserving of how much significance is attached (to one or the other).  The public has decided.

I do not argue with success.  If you are making money in the music business and you can assemble the finest musicians in the world by picking up your phone, you are a success.  You can be miserable and unlucky in love, but musically you are a success.

What I don't understand is the lack of originality stand.  There is NOTHING original in music...No there isn't.  Not really.  Here's an old cover or two for the old heads that don't care about originality:

http://www.youtube.com/watch?v=Q3wX1wn-0go

http://www.youtube.com/watch?v=yOVzgija … re=related

And one original:  http://www.youtube.com/watch?v=I7Ek2uSd … re=related

My opinion?  He's still got it.  Poor Peter (May God LOVE him...I do) no longer does.

The Funky Dr's opinion.

Thank you. You said what I was trying to say in far fewer words.

"And in the end, the love you take is equal to the love you make"

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Re: Clapton discussion

bigjeffjones wrote:
gsj wrote:

Geoff, I think you mean 24 nights, not 6.

Geoff wrote:

So why is he so popular?

Maybe it's because his life has been published like a tabloid. "Clapton is God" is a hell of a claim to live down and he was embarrased beyond belief by that. We all (I'm 60) grew up with him and saw him evolve through the Yardbirds, Cream et al. We also saw his life unfold, through drugs and relationships and the sad loss of his son. My feeling is that we shared these events, they became personal to us and we latched on to them. He is a great player, of that there is no doubt. His style is instantly recognisable, now THAT is the mark of a great musician.

He is an ENTERTAINER. He knows what works, he knows what people want at a concert and gives them that. Maybe it's not what the purists want to hear, but hey, how many purists can sell out the Royal Albert Hall six nights on the trot!

My guess is that Joe will be following the same footpath, but hopefully without the bad times that Eric endured!

Back........from under a rock...I've been wondering about you!  I wouldn't want to lose track of another dry humored, foul-tempered, potty mouth guitar player.  lol

Strong email to follow!
BJJ FDOL

A discussion on Clapton will draw him out every time.

Re: Clapton discussion

I was nothing but a Beatles guy until Clapton played on the White Album. Bought Blind Faith still a favorite of mine. Got Then Play On first then worked back to all the other Fleetwood Mac Albums. Have been a fan Fleetwood Mac through all the changes and I mean all the changes. It took me awhile to appreciate Clapton. I have my prefered albums and some I hardly play. What I like most about him is he kept making them. Even with his drug and drink problems. I only wish Peter could of kept it together.

I will agree with Duncan that during the same time period 67 to 70 Greeny was the more prolific artist. However Clapton over the years has cemented his legend by producing over the years a body of work that has remained relevent through out his long career. He has made the blues palatable for many. He has made good pop records. I don't think you have to write everything to be a great artist you just have to make them your own.

I will agree that his book was a dissapointment. It did help explain some of the reasons he moved in the directions he did. I am a fan of Clapton. I just had to aquire a taste for him. Kind of like wine. I don't know if I will ever aquire a taste for wine though.

Re: Clapton discussion

I could care less if most of his music is covers or written by others. What he does with them and the sound of his guitar is sweet.

I’m from the old school, like the old rules - HEADACHES TO HEARTBREAKS

23

Re: Clapton discussion

But I stay away from the Gary Moore discussions nowadays.

jim m wrote:
bigjeffjones wrote:
gsj wrote:

Geoff, I think you mean 24 nights, not 6.

Back........from under a rock...I've been wondering about you!  I wouldn't want to lose track of another dry humored, foul-tempered, potty mouth guitar player.  lol

Strong email to follow!
BJJ FDOL

A discussion on Clapton will draw him out every time.

never give up, never slow down
never grow old, never ever die young

Re: Clapton discussion

Eric Clapton and Peter Green - I appreciate both of them with a slight preference for Peter Green. I think we also have to look at their psychological make-ups. Both had heavy times in their life, both came back. But the way of coming back was different: I think Peter Green is today a psychologically handicaped person - at least he was when I sam him last in the late nineties - wheras Eric Clapton has managed to start a "new" meaningful life, also  outside the music world. And Clapton always had a better sense of business.
I feel fine with what Clapton has done the last years - not to forget his crossroad projects- and I feel sad that Peter Green isn´t anymore the creative and awake artist he used to be.
Günter

Rock On and Keep the Faith

Re: Clapton discussion

Yes agreed!  BALANCE is an oft neglected art form.  It's what I try to give my kids.

Not my poor wife though
Poor thing teeters on the edge
Well, she's never bored

Rock On & Keep the FAITH
             It is
Blues From the Bottoms

Re: Clapton discussion

Deezer wrote:

My main point is that Clapton has sustained a vital and very successful solo career, not by playing safe, but by recording and having success in different styles of music. If we look at all the famous and amazing musicians to come out of that period, very few have continued to have the success that Clapton's had. And he's done that by doing just what he wants to do, the public be damned. He does what he wants, which is exactly what he's always done. I stand by that, and respect it enormously. There are very few outside of Clapton, McCartney, the Stones, Dylan, and Santana who have any sort of legitmacy in today's music world that's still here, that's not dead or fallen by the wayside far from their peak.

I guess what you are referring to is sustainability, and Clapton certainly has that, he is a survivor when so many more such as Hendrix, Gallagher, Kossoff, Vaughan, Bollin and Green have not made it this far, or unscathed. I'm sorry if I made this a comparison with Green who sadly burned brightly for several great years and was never the same force again because of mental illness. Had the illness not have occured, who knows what he may have achieved.  Depite being in the limelight for a short period I stand by my statement that I consider Green has made the more memorable original compositions. The Green in my forum name is in tribute to him.

However Clapton's endurance over the last forty years also deserves respect. I can understand how people of an older generation who grew up with Clapton have felt their lives develop with him. As mentioned too his music has served as an introduction to the blues for many and that is a good thing. My first "blues" album was Gary Moore, having heard his versions blues songs, I was tempted to look back to first Green and Mayall and then to some of the founding fathers, so if Clapton has provided a similar route then that is a good thing. My belief is still that his earlier work is the most memorable and the most influential. Joe names the Mayall Beano album and Cream Goodbye as two of his three favourite albums along with Gallagher's Irish tour (given Joe's love of the Mayall with EC album and Another Kind Of Love, I assume he was influenced by the Mayall/Green cover of So Many Roads too, although Otis Rush's version is clearly also memorable).

Over-rated is perhaps the wrong word, perhaps over-mentioned would be more correct. I've noticed that in many discussions when people are looking for a decription of the blues and an example of a blues artist, his name often suggested.  This is a credit to Clapton, but I will always feel that this recognition is also due to many of the founding fathers, his contemporaries and younger artists such as Joe.  Hope I've got the consensual tone right this time! smile

"The recently formed Edinburgh Blues Club has identified an appetite for the personal communication between musicians and audience that the blues long ago perfected." The Herald Newspaper (Scotland)
http://www.edinburgh-blues.uk

Re: Clapton discussion

"This is a credit to Clapton, but I will always feel that this recognition is also due to many of the founding fathers, his contemporaries and younger artists such as Joe."  Greenose, some of the youth, but not the majority, are interested in the founding fathers enough to go back and listen to the original at least once...I know my "jimmy page is god son" dug into the old blues after he read a Zep book and also Jack White's covers on a few had him go back and listen to the original.  You won't be happy with some of his comments about some of the real old blues stuff, so I won't repeat it big_smile...BUT if it wasn't for the new guys, Joe included, covering the old guys, the majority of listeners wouldn't be aware of the old stuff.

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Re: Clapton discussion

I opine that the last paragraph of your last post is just about inarguable.  Personally I have more original sounds (all combined) than I do Clapton discs.  I still give credit where due.

Happy New Year!

Rock On & Keep the FAITH
             It is
Blues From the Bottoms

29 (edited by Greenose 2008-12-30 15:34:38)

Re: Clapton discussion

bigjeffjones wrote:

I opine that the last paragraph of your last post is just about inarguable.  Personally I have more original sounds (all combined) than I do Clapton discs.  I still give credit where due.

Happy New Year!

Yes, me too Jeff, I mentioned Gary Moore, after hearing his versions of Oh Pretty Woman and As The Years Go Passing by I started to listen to Albert King, Otis Rush via All Your Love, and Jimmy Rogers via Clapton's covers on From The Cradle. Often I've preferred the original. Possibly like Angela's son, I've got into Son House after hearing the White Stripes version of Death Letter Blues, Junior Kimbrough from the Black Keys etc.  Naturally through Joe too I have tracked down originals of tracks like Burning Hell, Man Of Many Words, Highwater and more. In some cases I prefer the originals, in some I prefer the covers, but its all good if it leads to more music exploration! 

As Joe has rightfully pointed out, some songs have been overcovered.  I don't think my MP3 player could stand another version of Sweet Home Chicago, Mustang Sally, Red House, Hoochie Coochie Man or Sky Is Crying!  So I love it when artists gig at little deeper when it comes to cover versions. smile

"The recently formed Edinburgh Blues Club has identified an appetite for the personal communication between musicians and audience that the blues long ago perfected." The Herald Newspaper (Scotland)
http://www.edinburgh-blues.uk

Re: Clapton discussion

Man...I dunno why y'all are arguing over Greeny and Slowhand, when we all know that Rory was better than either one of them....discuss.... wink big_smile

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Re: Clapton discussion

Keith wrote:

Man...I dunno why y'all are arguing over Greeny and Slowhand, when we all know that Rory was better than either one of them....discuss.... wink big_smile

Keith, you comment is in jest but is is certainly partly true.  By 1970 Clapton had started his solo career, Hendrix was dead and Green had retreated within himself, Gallagher was in my opinion the best when it came to the period 1971 to 1976 releasing a superb series of studio albums, live records and sessions for older bluesmen, take your pick with any release from Deuce to Calling Card, he was by far the most consistent performer.  The story of Rory has been badly told too, with much of his decline (and liver damage) being due to a reliance on prescribed drugs, to combat anxiety and a fear of flying, rather than simply alcohol abuse as has been widely suggested,

Its probably inaccurate to suggest there was one great guitarist of all times.  You could start 100 years ago with Charley Patton, then Son House then Robert Johnson, moving to Muddy Waters, Hubert Sumlin, the three Kings, Buddy Guy and Otis Rush. The batton then passed to  Clapton, Hendrix and Green in the late 1960s, Gallagher and Page in the 1970s, Stevie Ray Vaughan in the 1980s, Gary Moore's blues revival in the 1990s and bang up to date with Joe Bonamassa! 

Thanks for all your contributions to date, it has been an interesting discussion and has helped me learn a little more about why Clapton is held in such reverence. Actually now I start to appreciate some of the reasons that Clapton and Stevie Ray Vaughan receive more praise than some of the others.  The first of these is understandably a lack of knowledge of those who shined brighter earlier. Hopefully this discussion may encourage us to listen to some of the other past masters. The second is the fact both Clapton and Vaughan were seen to overcome their personal demons which sadly afflicted some of the others.  These are qualities which cannot be underestimated when comes to a full assessment.  Happy New Year! smile

"The recently formed Edinburgh Blues Club has identified an appetite for the personal communication between musicians and audience that the blues long ago perfected." The Herald Newspaper (Scotland)
http://www.edinburgh-blues.uk

Re: Clapton discussion

The Clapton Biog on Wikipedia is quite interesting too!

Geoff O

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Re: Clapton discussion

I agree totally with Greennose on his assessment of Clapton.  Everything he stated rings true.  But, if you ask any average Joe with just a passing knowledge of contemporary music, you'll find few who have ever heard or listened to the likes of the "other" great English guitarists except Clapton.

Re: Clapton discussion

Hi Duncan,

This has indeed been an interesting discussion and one in which I wish I’d had time to partake – I did scribble some notes on the train the other night but that’s as far as it got. Like most of our friends on the Forum I didn’t agree with everything you said, but they did a sterling job in defending EC and therein lies the rub. Just as we would all defend Joe in a similar situation, EC commands a loyal following.

I’m sure you feel he “sold out” long ago but I don’t think anyone could doubt that he can play the blues.

Respect to you for voicing your opinion when you must have realised the response you’d get. It would be a dull place if we all agreed on everything – Joe excepted, of course! big_smile

Phil

Ars Longa, Vita Brevis

“The guy who has helped the blues industry the most is Joe Bonamassa and I would say he is more rock than some rock stuff, so to me blues is whatever you want it to be!”
Simon McBride in my interview with him in Blues Matters! Issue #56

35 (edited by Greenose 2008-12-31 13:18:57)

Re: Clapton discussion

Wooders wrote:

I’m sure you feel he “sold out” long ago but I don’t think anyone could doubt that he can play the blues.

Respect to you for voicing your opinion when you must have realised the response you’d get. It would be a dull place if we all agreed on everything – Joe excepted, of course! big_smile

To be honest Phil, its not really about selling out for me, its about the quality of the music. I don't feel the quality of Clapton's solo works matches the quality of his earlier works.  Clapton may be the acceptable white face of the blues but in my opinion there are and were far other artists who may not have been as active for a long period in the music industry as Clapton, but who were worthy of greater praise.

It would be a dull place if we agreed on everything, but from what I can see the response has been mixed and I'm heartened to see there are others that sympathise or agree with my point of view.

"The recently formed Edinburgh Blues Club has identified an appetite for the personal communication between musicians and audience that the blues long ago perfected." The Herald Newspaper (Scotland)
http://www.edinburgh-blues.uk

Re: Clapton discussion

Greenose wrote:
Keith wrote:

Man...I dunno why y'all are arguing over Greeny and Slowhand, when we all know that Rory was better than either one of them....discuss.... wink big_smile

Keith, you comment is in jest but is is certainly partly true.  By 1970 Clapton had started his solo career, Hendrix was dead and Green had retreated within himself, Gallagher was in my opinion the best when it came to the period 1971 to 1976 releasing a superb series of studio albums, live records and sessions for older bluesmen, take your pick with any release from Deuce to Calling Card, he was by far the most consistent performer.  The story of Rory has been badly told too, with much of his decline (and liver damage) being due to a reliance on prescribed drugs, to combat anxiety and a fear of flying, rather than simply alcohol abuse as has been widely suggested,

Its probably inaccurate to suggest there was one great guitarist of all times.  You could start 100 years ago with Charley Patton, then Son House then Robert Johnson, moving to Muddy Waters, Hubert Sumlin, the three Kings, Buddy Guy and Otis Rush. The batton then passed to  Clapton, Hendrix and Green in the late 1960s, Gallagher and Page in the 1970s, Stevie Ray Vaughan in the 1980s, Gary Moore's blues revival in the 1990s and bang up to date with Joe Bonamassa! 

Thanks for all your contributions to date, it has been an interesting discussion and has helped me learn a little more about why Clapton is held in such reverence. Actually now I start to appreciate some of the reasons that Clapton and Stevie Ray Vaughan receive more praise than some of the others.  The first of these is understandably a lack of knowledge of those who shined brighter earlier. Hopefully this discussion may encourage us to listen to some of the other past masters. The second is the fact both Clapton and Vaughan were seen to overcome their personal demons which sadly afflicted some of the others.  These are qualities which cannot be underestimated when comes to a full assessment.  Happy New Year! smile

The lack of knowledge is there,to be sure, but the thing that about both Vaughan and Clapton is that they were both very quick to tell where they got it from. I won't go into Stevie because that's well documented, but Clapton has always been one to talk about his influences, and hold almost reverence for his heroes. So while there is an education problem, it's not Clapton or Vaughan's fault. If anything, they tried to help that the best they could.

"And in the end, the love you take is equal to the love you make"

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