Topic: Clapton discussion
Room for further discussion on the Clapton-topic that has been started here: http://www.jbonamassa.com/forum/viewtop … 230#p91230 ...
Eva
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Joe Bonamassa Forum → Other Artists → Clapton discussion
Room for further discussion on the Clapton-topic that has been started here: http://www.jbonamassa.com/forum/viewtop … 230#p91230 ...
Eva
This is my argument, excuse the copy and paste:
Here's a question for all you Clapton fans: when do you ever hear a blues band, or rock band say here's a song written by Eric Clapton?
The truth is you don't. Whilst there is no doubt that Clapton recording some of the earliest British blues rock with the Yardbirds and did a superb blues album with John Mayall (his best output) and was innovative with Cream, he really has not left a huge impression on the blues rock scene at all. He has actually written so few blues rock songs of note himself, er maybe Layla (the best part of which was recorded by Allman) and Sunshine of Your Love (a cowrite). His contemporaries like Hendrix, Peter Green, Page and Rory Gallagher left us with classic song after classic song, Clapton did not. He was great as a guitar for hire, but as a solo artist he has done very little at all. Even when he returned to the blues for From The Cradle, the songs he chose where well worn blues standards rather than producing anything creative. Clapton lost his fire nearly 40 years ago, and is not worthy of the praise that so many (admittedly Americans) seem to give him. Never has one with such god given talent provided so little, its a crime.
In respect of my comparison with Peter Green further to Deezer's comment, I said the following:
First point I’d like to address through is about Peter Green, much of the work that he did even with Fleetwood Mac was not strictly blues. While the first two albums were superb blues rock which had has been highly influential and covered by artists as diverse as Santana, Aerosmith and Gary Moore, his latter work covered a far greater range. Albatross was a superb instrumental which impressed even classical music fans. Need Your Love So Bad was blues with string before BB King recorded The Thrill Has Gone. While Clapton was recording Layla, Green was recording Oh Well, both of which go beyond blues rock. Whilst Layla features nice piano and slide, Oh Well part two is classical acoustic guitar. Green was recording tracks as mournful as Tears In Heaven back in 1969 with Man Of The World. Green Manalishi was prototype heavy metal. Peter Green’s solo career was blighted by mental illness, yet he still managed to dabble with African and Asian influences, Clapton simply went for a pop rock angle which while more successful, was not particularly distinctive. Wasn't it BB King himself who told Clapton and George Harrison that Peter Green was a better player?
My own view is that whilst his work with Yardbirds, Mayall and Cream in particular was influential and I love most of it, there's little merit to be found in Clapton's solo career which has not been innovative to my ears (maybe he works best with a Mayall or Bruce along side). I suspect Clapton’s solo career has been a disappointment to even him. Take a look at the setlist he plays these days, full of blues standards, if he wrote so many timeless songs, why doesn't he play them?
I personally find even Clapton’s blues covers to be disappointing. When he has gone back to the blues he has chosen the well trodden blues standards that you can find on any blues compilation, Hoochie Coochie Man, Reconsider Baby, Five Long Years, Double Trouble. While back in Cream he recording bang up to date versions of songs such as Crossroads and Spoonful, his recent version of Travelling Riverside Blues from his Robert Johnson album (a well covered artist if there ever was one) takes it forward no further than Muddy Water’s Louisiana Blues. As Joe himself has said, the covers you record help define you as an artist, Clapton however has chosen to record blues covers easily found elsewhere. Compare that to say Rory Gallagher and you will see a difference, Gallagher was prepared to find obscure tracks by the likes of Blind Boy Fuller, Bo Carter and Tony Joe White and put his own style on them, he would also play celtic and country tunes, even jazz. Much in the same way a casual blues rock fan may only listen to Clapton and Stevie Ray Vaughan, Clapton has not studied hard when it comes to the blues. My closing statement would probably be that I’d urge those of you who listen regularly to artists such as Clapton and Vaughan to expand your listening tastes to less heralded guys like Green, Gallagher, Kossoff, Beck etc, Joe has and the benefit can be heard in his music.
To elaborate a little further, this is not about whether Clapton should play the blues or not, rather his solo career has not reached the heights of his earlier band work and that when he does play blues as a solo artist he has lacked the creative spirit to offer something new to the genre. I feel the title of best well known living bluesman is unfounded and unworthy.
Would love to hear others points of view!
Interesting discussion (even though off topic....).
Speaking of covers - isn´t that what Blues is all about?! I think one of Clapton´s biggest achievements is that he has made songs popular to a wide range of listeners who wouldn´t have wasted a thought on what is called "the Blues" otherwise. He carried on the torch if you want to say so ... I think the essence of Bluesmusic is carrying on the old themes, keeping their soul or what is essential about them while adapting them for a new generation. That´s what Eric Clapton did in my eyes ...
Go out on the street and ask people about Blues musicians - they will know Eric Clapton and not too many more. Not even B.B.King or John Lee Hooker or Muddy Waters maybe ...
I tend to agree with Greenose that Clapton has done a lot of "standard" stuff that isn´t outstanding in my eyes (the good old question: why is it Eric Clapton who has become the superstar of the Blues?! ), but he has also done a lot of songs that have survived the generations, because they are timeless and soulful (thinking of "Layla" for example even though it´s a cliche maybe).
I´ll open a new topic for further discussion ....
Eva
Indeed thats how I see Clapton, however if you look further a field you will see better stuff i.e. Peter Green.... I have to add however that when watching a documentary with Clapton about blues he said after the Yardbirds he wanted to do more blues, he joined the Bluesbreakers but found it was too much blues, he left and thats when he started up in Cream..
Personally I think hes just doing what he enjoys, people pay to see him do it... he listened to these songs and loved them it made him want to play them, doesnt matter if he didnt put an edge on it imo
And Greenose I think it was BB who said Peter Green is the only player whos made him sweat.. ahh heres the quote...
B.B. King stated that, "People have told me that in his early years my guitar playing influenced Peter a lot. Now that's something I take as a great compliment, but I have to tell you that I don't get it myself. When I hear Peter Green....I hear Peter Green."
B.B. King to say, “He has the sweetest tone I ever heard. He’s the only one who gave me the cold sweats.”
I think in the relatively short space Ive been listening to Peter Green (3 month ish)hes made me pick up and play / influenced me more than Clapton has in 3 years..
So why is he so popular?
Maybe it's because his life has been published like a tabloid. "Clapton is God" is a hell of a claim to live down and he was embarrased beyond belief by that. We all (I'm 60) grew up with him and saw him evolve through the Yardbirds, Cream et al. We also saw his life unfold, through drugs and relationships and the sad loss of his son. My feeling is that we shared these events, they became personal to us and we latched on to them. He is a great player, of that there is no doubt. His style is instantly recognisable, now THAT is the mark of a great musician.
He is an ENTERTAINER. He knows what works, he knows what people want at a concert and gives them that. Maybe it's not what the purists want to hear, but hey, how many purists can sell out the Royal Albert Hall six nights on the trot!
My guess is that Joe will be following the same footpath, but hopefully without the bad times that Eric endured!
Something that I'm not sure has been discussed, is Eric Clapton's love of fly fishing. He loves to fish for trout and is almost as passionate about it as his guitar playing. Oh, and he is one heck of a guitar player too!
http://www.discoverychannel.co.uk/video … c-clapton/
Someone once said, "God does not subtract, from your allotted time on earth, those hours spent fishing". I guess Eric at some point in his life figured that out.
Roy
P.S. I agree with you Geoff, his life, both good and bad, has been spelled out for all to see. All human weaknesses and strengths and I'm sure all of us recognize those same traits in ourselves. I'm sure that's why we all feel as we do toward this great man/musician.
This is my argument, excuse the copy and paste:
Here's a question for all you Clapton fans: when do you ever hear a blues band, or rock band say here's a song written by Eric Clapton?
The truth is you don't. Whilst there is no doubt that Clapton recording some of the earliest British blues rock with the Yardbirds and did a superb blues album with John Mayall (his best output) and was innovative with Cream, he really has not left a huge impression on the blues rock scene at all. He has actually written so few blues rock songs of note himself, er maybe Layla (the best part of which was recorded by Allman) and Sunshine of Your Love (a cowrite). His contemporaries like Hendrix, Peter Green, Page and Rory Gallagher left us with classic song after classic song, Clapton did not. He was great as a guitar for hire, but as a solo artist he has done very little at all. Even when he returned to the blues for From The Cradle, the songs he chose where well worn blues standards rather than producing anything creative. Clapton lost his fire nearly 40 years ago, and is not worthy of the praise that so many (admittedly Americans) seem to give him. Never has one with such god given talent provided so little, its a crime.In respect of my comparison with Peter Green further to Deezer's comment, I said the following:
First point I’d like to address through is about Peter Green, much of the work that he did even with Fleetwood Mac was not strictly blues. While the first two albums were superb blues rock which had has been highly influential and covered by artists as diverse as Santana, Aerosmith and Gary Moore, his latter work covered a far greater range. Albatross was a superb instrumental which impressed even classical music fans. Need Your Love So Bad was blues with string before BB King recorded The Thrill Has Gone. While Clapton was recording Layla, Green was recording Oh Well, both of which go beyond blues rock. Whilst Layla features nice piano and slide, Oh Well part two is classical acoustic guitar. Green was recording tracks as mournful as Tears In Heaven back in 1969 with Man Of The World. Green Manalishi was prototype heavy metal. Peter Green’s solo career was blighted by mental illness, yet he still managed to dabble with African and Asian influences, Clapton simply went for a pop rock angle which while more successful, was not particularly distinctive. Wasn't it BB King himself who told Clapton and George Harrison that Peter Green was a better player?
My own view is that whilst his work with Yardbirds, Mayall and Cream in particular was influential and I love most of it, there's little merit to be found in Clapton's solo career which has not been innovative to my ears (maybe he works best with a Mayall or Bruce along side). I suspect Clapton’s solo career has been a disappointment to even him. Take a look at the setlist he plays these days, full of blues standards, if he wrote so many timeless songs, why doesn't he play them?
I personally find even Clapton’s blues covers to be disappointing. When he has gone back to the blues he has chosen the well trodden blues standards that you can find on any blues compilation, Hoochie Coochie Man, Reconsider Baby, Five Long Years, Double Trouble. While back in Cream he recording bang up to date versions of songs such as Crossroads and Spoonful, his recent version of Travelling Riverside Blues from his Robert Johnson album (a well covered artist if there ever was one) takes it forward no further than Muddy Water’s Louisiana Blues. As Joe himself has said, the covers you record help define you as an artist, Clapton however has chosen to record blues covers easily found elsewhere. Compare that to say Rory Gallagher and you will see a difference, Gallagher was prepared to find obscure tracks by the likes of Blind Boy Fuller, Bo Carter and Tony Joe White and put his own style on them, he would also play celtic and country tunes, even jazz. Much in the same way a casual blues rock fan may only listen to Clapton and Stevie Ray Vaughan, Clapton has not studied hard when it comes to the blues. My closing statement would probably be that I’d urge those of you who listen regularly to artists such as Clapton and Vaughan to expand your listening tastes to less heralded guys like Green, Gallagher, Kossoff, Beck etc, Joe has and the benefit can be heard in his music.
To elaborate a little further, this is not about whether Clapton should play the blues or not, rather his solo career has not reached the heights of his earlier band work and that when he does play blues as a solo artist he has lacked the creative spirit to offer something new to the genre. I feel the title of best well known living bluesman is unfounded and unworthy.
Would love to hear others points of view!
We were talking about influence, not how diverse someone is. As you said, how many bands today say, today we're going to play a Peter Green song? Green can record whatever he wanted to, but the point of the matter is, these "bands" are probably going to play two songs: "Oh Well" and "Black Magic Woman," and one of them they're probably going to think is by Santana. I love Peter Green quite a bit, but come on, if we're talking influence over the electric guitar, over music in general, it's not even a question. And I believe it is really overgeneralizing to say Clapton just went the pop angle. That's just utter bullcrap. I'm sorry, but how are songs like Let It Grow and Lay Down Sally and Promises pop? Heck, two of them are old-school country!
And I will say that most of your points about Clapton doing blues covers reference two albums: From The Cradle and Me & Mr. Johnson. Two albums where he said explicitly he wanted to pay tribute.
Clapton hasn't studied the blues very hard? My "friend," you know nothing about Eric Clapton. Clapton has forgotten more about the blues than most of us here will ever know. I disagree vehemently with everything you say about Clapton. There is a distinct reason why he's Eric Clapton, and we're sitting here talking about Eric Clapton. In the end, let the haters hate, because he's still THE Eric Clapton, the most influential guitar player right there with Hendrix, Page, Vaughan, Beck, and Van Halen.
And I really am curious why people can't just say they don't like an artist, instead of going into how they're overrated, don't deserve their status, aren't really that good. Quite simple. Oh well....
Just a couple of random thoughts, that touch on some of the comments here...To get deep into this Clapton discussion, I don't have the time right now to put it all into words... Mr. Eric Clapton himself often wondered why so many thought he was a god...he escaped to Delaney and Bonnie when he wanted to be a guitar playing band member and not a band leader and to get out of the limelight. Delaney Bramlett just passed away...think Let It Rain, as a co-write. Eric never thinks of himself as a great songwriter either. He is his own worse critic and always has been.
Eric Clapton is the ultimate chameleon...a man of many moods, for sure, and his music reflects that 100%. If he stayed 100% focused on the Blues, we may or may not be having this discussion! So, It's Like That in a short synopsis!
When my older brother turned me on to Cream and Blind Faith back in the day, I never gave a second thought to what was the blues or who wrote what. Many things about Clapton at that time caught on to a large number of folks and the snowball started to roll and get bigger and bigger. Clapton's lifestyle added to his aura and he was always experimenting with new musical sounds, tone, gear...in essence he was like the perfect storm!!! Like a Monday morning quarterback, its always easier to go back and pick the game apart, but while its happening, sometimes its hard to get the game under control. Lots of factors go into the Clapton mix, including other musicians connection to him...paraphrasing Joe...Clapton is the one that impressed him guitarwise, made him want to play an electric guitar! Musicians at the time related to Clapton as well, he continues to influence guitarists.
I often have wondered WHY Americans are hooked on reality TV (I think its dreadful) and why Americans jump on a politician's bandwagon while wearing blinders to the facts at hand, (maybe its like the fairy tale of the Emperor's new clothes) simply said, Majority rules! I for one cut Clapton slack on some of his poppy stuff, his catalog is large enough that there is lots of other music to listen to. Like a lot of people I love, I take the good with the bad.
Clapton's soul is comfortable in the blues. Whether Clapton is offering up something new or not, I've never deeply analyzed it...I just know it speaks to me when I hear him sing the blues and that's good enough for me...:) Also, when you can really relate to the lyrics on the most personal of levels, being hooked on the music digs a little deeper... Dug this up on youtube last night...And the bottom line of ALL the bottom lines...its subjective, different strokes for different folks...vanilla vs. chocolate ice cream favorite...
http://www.youtube.com/watch?v=yBilW9cPfDA
We were talking about influence, not how diverse someone is. As you said, how many bands today say, today we're going to play a Peter Green song? Green can record whatever he wanted to, but the point of the matter is, these "bands" are probably going to play two songs: "Oh Well" and "Black Magic Woman," and one of them they're probably going to think is by Santana. I love Peter Green quite a bit, but come on, if we're talking influence over the electric guitar, over music in general, it's not even a question. And I believe it is really overgeneralizing to say Clapton just went the pop angle. That's just utter bullcrap. I'm sorry, but how are songs like Let It Grow and Lay Down Sally and Promises pop? Heck, two of them are old-school country!
And I will say that most of your points about Clapton doing blues covers reference two albums: From The Cradle and Me & Mr. Johnson. Two albums where he said explicitly he wanted to pay tribute.
Clapton hasn't studied the blues very hard? My "friend," you know nothing about Eric Clapton. Clapton has forgotten more about the blues than most of us here will ever know. I disagree vehemently with everything you say about Clapton. There is a distinct reason why he's Eric Clapton, and we're sitting here talking about Eric Clapton. In the end, let the haters hate, because he's still THE Eric Clapton, the most influential guitar player right there with Hendrix, Page, Vaughan, Beck, and Van Halen.
We were not talking about how diverse someone is Deezer, but you made the reference that Fleetwood Mac were more successful when they moved from blues rock. My point is that they had already evolved from pure blues rock when Green was still with them. In reference to covers Aerosmith play Stop Messin' Round at every show (Perry sings it) and Judas Priest play Green Manalishi, just two large rock bands that cover other Green songs. Without wishing to continually disagree I would say certainly from a European perspective, Peter Green would be considered a more influential artist than Beck, Van Halen and Vaughan.
As for only referring to two of Clapton's albums, I still find many of his other blues covers to be lacking in originality too. Take this list: Mean Old World, Stormy Monday, Sky Is Crying, Worried Life Blues, Double Trouble, Drifting Blues and Further Up The Road. Each one must have covered by another 20 other artists or more. Furthermore covers of Howlin' Wolf or Elmore James have exposed his vocal limitations
Its a sad state of affairs where people only know the Clapton version's of these songs rather than for example the magic of Muddy's original version of Hoochie Coochie Man
You could be right though about Clapton forgetting the blues, but not in the way you mean, John Mayall opened the ears of many of his students to the blues, Clapton for his own reasons, chose not to contribute in an innovative way to that genre after he started his solo album. Pop rock is perhaps an over simplification, but his better known solo songs like After Midnight, Cocaine, Lay Down Sally all fit that descripton. Least said about Wonderful Tonight the better!
Still wondering where the wonderful songs are and why they are not in the set list, and who does play them in their setlists?
No, I said Fleetwood Mac became more famous after Peter Green left. Big difference.
Okay, since you must push the point, songs I have heard by other bands I've seen live that Clapton's done:
Old Love
Pretending
Cocaine
Let It Rain
Layla
Wonderful Tonight
Bad Love
My Father's Eyes
River Of Tears
Running On Faith
I Shot The Sheriff
After Midnight
Signe
Tell The Truth
Why Does Love Got To Be So Sad
Of course, some aren't of his writing, but honestly, that doesn't mean a tinker's damn. These are from local bands I've heard the most. Bar bands, if you will. But to be honest, the only Peter Green song I've ever heard was when I saw KWS and he did Oh Well. But then again, I haven't been to a Santana show to hear Black Magic Woman.
And I'm sorry, Lay Down Sally is not a pop song. Big difference between country music and pop, especially back then.
And while Mayall was quite influential on getting Clapton to woodshed and exposing him to different blues artists, even before that point he knew more than any of us.
You can say all you want about him, but the point is he's Eric Clapton, and you and I are two goofs on a message board talking about him.
But to be honest, the only Peter Green song I've ever heard was when I saw KWS and he did Oh Well..
I think you need "Peter Green; The Anthology" : Four CDs full of brilliant songs.
Günter
No, I said Fleetwood Mac became more famous after Peter Green left. Big difference.
Clapton has created many timeless songs that will be remembered, and are remembered. Far more than anything Peter Green ever did. Heck, the band he was in had more famous songs after he left. Oops, sorry, it's not in the blues/rock genre, sorry for expanding a bit.
Here's your two quotes Deezer. You implied that the work of Peter Green's was all in the blues/rock genre, unlike Mac's later work, my explanation was to show that was not the case.
I'm not going to get to listing songs, assuming you've seen Joe live within the last two years you've heard at least two more covers of songs Green performed on than you've mentioned: Another Kind Of Love and So Many Roads. Again I supect a British born guitarist would be more likely to cover Green than an American due to a higher profile in his homeland than the USA, so that may partly explain our differing perceptions. Likewise Tony Ionni would be seen as more influential in the UK than Van Halen.
I was not keen to make this a comparison between the two guitarists as I love Clapton's work with Cream, Yardbirds and with Mayall almost as much as I do early Fleetwood Mac and Green with Mayall. Therefore I am not a Clapton hater, I just think that his solo work has fallen beneath the high standards to which he used to perform and he is given too much significance when he was but one in a generation of very fine and talented guitarists.
Deezer, we have pretty entrenched positions on this, therefore I'm keen to hear the opinions of others also on the subject.
Greenose,
I pretty well agree with your drift here. I was looking at the writing credits for Eric when he was with with Cream - just a few co-Written. Most of it is Jack Bruce/ Pete Brown or back catalogue revamped. In fact Ginger wrote as much as Eric.
Eric was big with Cream because they were THE supergroup power trio of the day and his solos, say on Wheels Of Fire live tracks were damn good - although I would argue they were 'made' by the brilliant bass playing of Jack Bruce who could 'read' Erics lead and play back lines for Eric to follow. Everywhere in London 'Clapton Is God' was sprayed over railway arches, it became self - perpetuating really.
Eric has long past his prime. If you listen very carefully to Crossroads on RAH 2005 recordings Eric gets out of time at least once where he fails to get his riff into the bar and Ginger and Jack immediatly adjust their play and do a reasonable job of covering for him.
Post Cream - I like 'Layla.' Period. The first half of Erics Biog, like most 'Stars' is interesting, the second half is about how sick he was, who he has met and where he crashed his cars - yawn.
You know I love Greeny but that may be partly a sentimental thing because I was going to his gigs when I was 12. When they were a basic blues band Jeremy Spencer (Slide) was just as popular as Greeny. Kirwan progressed the band with Peter, Spencer was just an Elmore James fan and was really sidelined in the end.
Danny Kirwan,plus the luxury of the third guitar, had a big influence on Mac's later stuff. Peter didn't want to record Albatross - Danny talked him into it. Danny sings a fair bit on Then Play On - which is one of my favourite albums.
The thing with Greeny was his playing had space, real soul, when he sang he sang from the heart - very moving and a genuine original artist. Someone wrote on this forum something to the effect that they found 'Sloe Gin' a bit of a downer - well that pain that Joe expresses there - that is what Greeny did when he played live.
I've said this before. We are entitled to our opinions, right or wrong is not really the issue.
Without denying the genius of Peter Green, he's not the factor in todays music that Eric Clapton is. Who is qualified to say that one is more or less deserving of how much significance is attached (to one or the other). The public has decided.
I do not argue with success. If you are making money in the music business and you can assemble the finest musicians in the world by picking up your phone, you are a success. You can be miserable and unlucky in love, but musically you are a success.
What I don't understand is the lack of originality stand. There is NOTHING original in music...No there isn't. Not really. Here's an old cover or two for the old heads that don't care about originality:
http://www.youtube.com/watch?v=Q3wX1wn-0go
http://www.youtube.com/watch?v=yOVzgija … re=related
And one original: http://www.youtube.com/watch?v=I7Ek2uSd … re=related
My opinion? He's still got it. Poor Peter (May God LOVE him...I do) no longer does.
The Funky Dr's opinion.
Geoff, I think you mean 24 nights, not 6.
So why is he so popular?
Maybe it's because his life has been published like a tabloid. "Clapton is God" is a hell of a claim to live down and he was embarrased beyond belief by that. We all (I'm 60) grew up with him and saw him evolve through the Yardbirds, Cream et al. We also saw his life unfold, through drugs and relationships and the sad loss of his son. My feeling is that we shared these events, they became personal to us and we latched on to them. He is a great player, of that there is no doubt. His style is instantly recognisable, now THAT is the mark of a great musician.
He is an ENTERTAINER. He knows what works, he knows what people want at a concert and gives them that. Maybe it's not what the purists want to hear, but hey, how many purists can sell out the Royal Albert Hall six nights on the trot!
My guess is that Joe will be following the same footpath, but hopefully without the bad times that Eric endured!
"Its a sad state of affairs where people only know the Clapton version's of these songs rather than for example the magic of Muddy's original version of Hoochie Coochie Man"
lol so odd Ive had the essential Muddy album on in my car today someone bought it me for xmas brilliant cd the guy plays such simple stuff yet has you hooked it really is a joy to listen to...
I think Greenose that Clapton atleast opens peoples ears to the likes of Muddy, Clapton and Hendrix after all got me into blues and look at that can of worms they opened im practically obsessed with it
Since getting into Peter Green I really can say I cant get enough the guy certainly had soul, in his singing, his lyrics and most of all his guitar playing but at the end of the day if it wasnt for Clapton and Hendrix I wouldnt be listening to it at all or even playing guitar.... heh because of Peter Green my les paul is my main guitar now and my 2 very fine strats are in the cases all the time....
I think Angelas right though its like Vanilla vs Chocolate ice cream you either love it or hate it there is no winners here, it is nice to see how people have been influenced though and how they got into who they listen to..
Geoff, I think you mean 24 nights, not 6.
Geoff wrote:So why is he so popular?
Maybe it's because his life has been published like a tabloid. "Clapton is God" is a hell of a claim to live down and he was embarrased beyond belief by that. We all (I'm 60) grew up with him and saw him evolve through the Yardbirds, Cream et al. We also saw his life unfold, through drugs and relationships and the sad loss of his son. My feeling is that we shared these events, they became personal to us and we latched on to them. He is a great player, of that there is no doubt. His style is instantly recognisable, now THAT is the mark of a great musician.
He is an ENTERTAINER. He knows what works, he knows what people want at a concert and gives them that. Maybe it's not what the purists want to hear, but hey, how many purists can sell out the Royal Albert Hall six nights on the trot!
My guess is that Joe will be following the same footpath, but hopefully without the bad times that Eric endured!
Back........from under a rock...I've been wondering about you! I wouldn't want to lose track of another dry humored, foul-tempered, potty mouth guitar player.
Strong email to follow!
BJJ FDOL
Deezer wrote:No, I said Fleetwood Mac became more famous after Peter Green left. Big difference.
Deezer wrote:Clapton has created many timeless songs that will be remembered, and are remembered. Far more than anything Peter Green ever did. Heck, the band he was in had more famous songs after he left. Oops, sorry, it's not in the blues/rock genre, sorry for expanding a bit.
Here's your two quotes Deezer. You implied that the work of Peter Green's was all in the blues/rock genre, unlike Mac's later work, my explanation was to show that was not the case.
I'm not going to get to listing songs, assuming you've seen Joe live within the last two years you've heard at least two more covers of songs Green performed on than you've mentioned: Another Kind Of Love and So Many Roads. Again I supect a British born guitarist would be more likely to cover Green than an American due to a higher profile in his homeland than the USA, so that may partly explain our differing perceptions. Likewise Tony Ionni would be seen as more influential in the UK than Van Halen.
I was not keen to make this a comparison between the two guitarists as I love Clapton's work with Cream, Yardbirds and with Mayall almost as much as I do early Fleetwood Mac and Green with Mayall. Therefore I am not a Clapton hater, I just think that his solo work has fallen beneath the high standards to which he used to perform and he is given too much significance when he was but one in a generation of very fine and talented guitarists.
Deezer, we have pretty entrenched positions on this, therefore I'm keen to hear the opinions of others also on the subject.
What I meant was that has created more remembered work than Peter Green. In fact, in regards to Peter Green, even in the band he was most known for being in, Fleetwood Mac, in fact became more famous AFTER he left. That's not a disrespect against Peter Green, it's just the truth.
As far as So Many Roads, I always looked at it as Otis Rush's song. I have not seen Joe since July of 2006, back in the Mark Epstein days before Rick and Carmine were added to the group.
My main point is that Clapton has sustained a vital and very successful solo career, not by playing safe, but by recording and having success in different styles of music. If we look at all the famous and amazing musicians to come out of that period, very few have continued to have the success that Clapton's had. And he's done that by doing just what he wants to do, the public be damned. He does what he wants, which is exactly what he's always done. I stand by that, and respect it enormously. There are very few outside of Clapton, McCartney, the Stones, Dylan, and Santana who have any sort of legitmacy in today's music world that's still here, that's not dead or fallen by the wayside far from their peak.
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