Re: Fender or Marshall?
I'm reading a lot of these posts which talk about hotplates and headroom, 100 watts vs. 50 etc. I play small club dates, medium sized theaters (we just did the Paramount Theater in Asbury Park-great theater, sold out show of about 2, 500 people. to large outdoor ampitheaters (75,000 at Point State Park, Pittsburgh in October) and honestly, my 50 watt Fuchs ODS head's Master volume is on 3-4 and never changes. The band is what it is. Why is everyone playing louder just when they are in a bigger space? Is the drummer playing louder, too? Once you're mixed onstage, let the FOH engineer handle it. Larger stages/venues usually have bigger sound companies handling the sound chores. Usually you get several monitor mixes so if you do need to hear the keyboard player better on the other side of the stage you can add a touch of him to your mix.
I had the opportunity this summer to A/B a 100 watt Fuchs ODS and my 50 watt ODS. I know guys like Joe, Eric J. and Robben Ford all say that 100 watt amps sound better but when A/B ing the 100 and the 50 side by side, the 50 sounded fatter cause at the same volume level, the 50 was cranked just a tad more making the tubes work a little more.
I don't know what kind of funds you have or were looking to spend but if you want a very clean and dynamic clean channel and sweet OD tone lead channel the look into a Fuchs. You're not going to get the Marshall gain but it's an amazingly versatile amp.
Just my two cents. Carry on