Topic: Mathemetician Cracks A Hard Day's Night's Opening Chord

ScienceDaily (Oct. 31, 2008) — It’s the most famous chord in rock 'n' roll, an instantly recognizable twang rolling through the open strings on George Harrison’s 12-string Rickenbacker. It evokes a Pavlovian response from music fans as they sing along to the refrain that follows:

It’s been a hard day’s night
And I’ve been working like a dog

The opening chord to A Hard Day’s Night is also famous because for 40 years, no one quite knew exactly what chord Harrison was playing. Musicians, scholars and amateur guitar players alike had all come up with their own theories, but it took a Dalhousie mathematician to figure out the exact formula.

“I started playing guitar because I heard a Beatles record—that was it for my piano lessons,” says Jason Brown of Dalhousie’s Department of Mathematics and Statistics with a good laugh.  “I had tried to play the first chord of the song many takes over the years. It sounds outlandish that someone could create a mystery around a chord from a time where artists used such simple recording techniques. It’s quite remarkable.”

Four years ago, inspired by reading news coverage about the song’s 40th anniversary, Dr. Brown decided to try and see if he could apply a mathematical calculation known as Fourier transform to solve the Beatles’ riddle. The process allowed him to decompose the sound into its original frequencies using computer software and parse out which notes were on the record.

It worked, up until a point: the frequencies he found didn’t match the known instrumentation on the song. “George played a 12-string Rickenbacker, Lennon had his six string, Paul had his bass…none of them quite fit what I found,” he explains. “Then the solution hit me: it wasn’t just those instruments. There was a piano in there as well, and that accounted for the problematic frequencies.”

Dr. Brown deduces that another George—George Martin, the Beatles producer—also played on the chord, adding a piano chord that included an F note impossible to play with the other notes on the guitar. The resulting chord was completely different than anything found in the literature about the song to date, which is one reason why Dr. Brown’s findings garnered international attention. He laughs that he may be the only mathematician ever to be published in Guitar Player magazine.

“Music and math are not really that far apart,” he says. “They’ve found that children that listen to music do better at math, because math and music both use the brain in similar ways. The best music is analytical and pattern-filled and mathematics has a lot of aesthetics to it. They complement each other well.”

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Re: Mathemetician Cracks A Hard Day's Night's Opening Chord

I wonder if he's related to Doc Emmet Brown?

Rock On and Keep the Faith

Jack Loves Patty Loves Joe

Re: Mathemetician Cracks A Hard Day's Night's Opening Chord

Really cool piece.  Thanks for sharing it with us.

-Rob

Bonamania is a disease with no cure.  Give it to all your friends.

Re: Mathemetician Cracks A Hard Day's Night's Opening Chord

Yes, very cool piece, but I disagree with this statement: "The best music is analytical and pattern-filled..."
IMO, feeling and passion are what set great music apart...analytical and pattern-filled without feeling and passion = mediocrity.

"Rock ON & Keep the Faith"

Re: Mathemetician Cracks A Hard Day's Night's Opening Chord

Man Keith you come up with some of the coolest stuff on this forum...thats a cool story

Shred

Re: Mathemetician Cracks A Hard Day's Night's Opening Chord

fuzzy wuzzy wrote:

I wonder if he's related to Doc Emmet Brown?

He's certainly got a lisp. Surely he mean maths rather than math, or is it called math in the USA?

"The recently formed Edinburgh Blues Club has identified an appetite for the personal communication between musicians and audience that the blues long ago perfected." The Herald Newspaper (Scotland)
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Re: Mathemetician Cracks A Hard Day's Night's Opening Chord

Ditto shred's comments!  I remember reading something from George Harrison about all the hoop-la over these chords.  I think it humored him to no end and he didn't think it was such a big deal, then again he was a very humble guy and had such a funny way about him. smile  I also remember reading something Paul once said when he looked back on some of the music he had written with John and how he appreciated the brilliance of certain little things they experimented with...it seemed more significant now than when it was recorded.  (which is exactly what I was thinking when I made that comment about Joe towards SILT)

Thanks Keith, I'll pass this on to my Bealtle-lovin' guitar men...the ones I live with. wink

Shredit wrote:

Man Keith you come up with some of the coolest stuff on this forum...thats a cool story

Shred

StringsforaCURE~Helping cancer patients one STRING at a time.
http://stringsforacure.com/

Re: Mathemetician Cracks A Hard Day's Night's Opening Chord

Greenose wrote:
fuzzy wuzzy wrote:

I wonder if he's related to Doc Emmet Brown?

He's certainly got a lisp. Surely he mean maths rather than math, or is it called math in the USA?

We call it math in the USA and didn't the real Doc Brown invent the flux capacitor?

By the way I don't want to be a buzz kill or anything but I always thought the chord was an A-11.

Rock On and Keep the Faith

Jack Loves Patty Loves Joe