Perhaps a slightly irrelevant standpoint here but i'll make it all the same....
I'm gonna go small scale on you guys, Irish style...
I play in a working covers band, nothing special, pubs, clubs, weddings and proms. There's 6 of us in the band. Our normal rate (after 6 years of playing) is €360 (470usd) for local gigs, that is, gigs within a 10 mile radius of us. And €420 (550usd) for travelling further afield, and that can be anything within 100 miles. That's for a 2 hour set. Now we don't charge admission or anything, that's not how it works here...the pub/club pays us and they reap the profits at the bar (even play one place that passes a top hat around, supposedly for tips for the band and that sucker is full of notes sometimes, of course we don't see a penny of it. They likely make more than they pay us but that's a rant for another day!)
Alas, I digress, back on point, bars pay us that relatively small amount of money and yet time and time again they try to haggle and pay less, they infer that we're too expensive, no one makes €60 an hour etc etc
What they, like so many others, forget is that they're not paying us for 2 hours work, 2 hours playing maybe, but not 2 hours work. We pack up all the gear and pack the van to be there at least 3 hours before we start, unpack the van, lug the gear in, set everything up, set all levels and do a sound check, wait around til it's go time, do the show, and then after the gig and the inevitable encores, we pack all down again, lug it all back out to the van, pack the van, drive back to our rehearsal space and unpack it all again!!! I swear my muscles have grown at a ridiculous rate since we started. So yeah, my point, it's not 2 hours work.
Then there's all the rehearsal time that goes into making sure the performance is perfect, 5 days a week practicing either with the others or individually.
Then there's all the gear, ok obviously we can't complain about the cost of our instruments but the extras, PA systems and power amps, countless xlrs, speakons, instrument mics etc, stage lights...the list goes on and on...
Transportation costs, the price of the van for a start, plus fuel to and from the gig, road tax and insurance...
Anti social working hours, having to deal with drunken morons and putting your equipment at their mercy. Leaving any personal problems at the door and putting on your best game face....
Anyway, you get the point. What I'm trying to say is it's very easy to forget the details and see, through that narrow tunnel vision, something as being too expensive. When you fully understand all the things you're paying for, you'll realise how cheaply you're getting it!
Besides, if you think 75dollars, or however much Joe's tickets are, is expensive, try calling out a plumber or an electrician at 8 or 9 o'clock on a Saturday night, see what he says when you offer him 75 dollars, he'd likely laugh in your face.
Sorry, didn't mean to rant quite so much, but this kinda thing annoys me on a personal level....you'd never guess though right?
Fender David Gilmour NOS Strat *"Vera"* - MIJ 1986/7 E-Series Fender '62 Re-Issue Strat *"Sevenoff"* - MIM Fender Strat *"Tortuga Azul"* - MIM Fender Frankenstrat (EMG-DG20s) *"Mary Shelly"* - MIK Fender Lite Ash Strat *"Phoenix"* - MIK 1989 E-Series Squier Strat *"Pyong"* - MIK 1990 S-Series Squier Strat *"Yang"* - Squier Classic Vibe 50s Tele *"CC"* - Fender DeVille 410 *"Long John Silver Face"*