Topic: Tickets way too expensive, need new rock stuff and Tilles comments
I have seen Joe almost 20x now in the last...oh 6 years I think, have lost track. Before everyone jumps all over me, I was hooked the first time I saw him and have been to every show I could in the nearby vicinity ever since. I appreciate how great he is and always felt like I needed a Joe fix if I went too long without him. I've turned on TONS of friends to him.
For Friday night's show in Long Island, I was driving in from NYC--not far, 40min...but for the life of me I couldn't get anyone to go with me---I think he is hurting himself with these crazy ticket prices--$100 on average per ticket.
Not only is that too expensive for a fan to just buy 2-4 tickets in advance in the hope of bringing friends to be bonabaptized...there are very few people who would shell out $100 to hear someone they've never heard of, no matter how great their friend says they are. One person who was willing to go simply could not afford it. My other friends who would have gone, on principle would not pay that much money for someone they did not know. These are Rolling Stones ticket prices...I mean, really. (Not that the RS are better than Joe, but they have a 40 year career and tens of millions of fans that affect demand)
The reason that all of us on this forum are such dedicated fans is that we first heard him by accident most likely (I heard him open for Peter Frampton in NYC) and probably for cheap! We then got hooked and became somewhat willing to pay outrageous amounts to hear mostly the same songs over and over year after year (give or take a few new ones from each new album)
I've brought 5 or so friends in the past to be bonabaptized but it appears that I can no longer do so unless I shell out 200+ myself for the privilege. I wonder how much more of a following Joe can build with this outrageous price structure....? He will win very few new fans by overcharging like this for reasons mentioned above. I'm sure he's making a nice little living for himself now, but for reasons I list below, it may be limited if he doesn't rethink things IMHO.
I'd like to go to the Beacon shows in NYC but no way can I shell out $200 bucks each night for an extra tic on the hope that I will find someone in 6 months who wants to go, and unf no one close to me is willing to commit that far in advance. And there were lots of empty seats at the Tilles on Friday night. LOTS and I was in the 12th row orchestra, lots in front of me and they were still selling at the box office just before the show.
Also, and I may get bona-crucified for admitting this, BUT.... I'm getting a little bored by the shows...they pretty much are the same every time. How much longer will fans be willing to pay hundreds to hear the same songs over and over? If he's not getting many new people--which at these prices he is probably not, how long before the whole fan base gets a little too bored?
This Tilles show he reworked a few things (like acoustic start to Sloe Gin--and he missed the great guitar riff 'over stormy seas')..and I preferred the original versions mostly. And, sorry to say this, but if I have to hear Woke UP Dreaming one more time...sigh. Yes, the acoustic guitar virtuoso stuff is great but, really, can't we have another song demonstrating that same skill set? If he can't do a new song, an old song that is not on the forever play list, I would rather hear a kickass Led Zeppelin cover than a reworked (and worse) staple of his. (I must add that I have complained in the past on this forum of that yelling/screaming thing he does to Blues Deluxe. I commented that his long howl at the end was totally dissonant and ruined the whole song. He has lungs, but not the vocal tone to do what he's always done to that song--it's very hard on the ears. Many of you disagreed with me back then and love it--however, this show, he totally has gotten voice lessons or something because he basically toned it way done, he stopped at all the points before he reached that dissonant area of the screaming and he ended it in a soft way--it was MUCH MUCH better. In the past I would just cringe and wait for it to end. Anyway, that was much improved....
Perhaps the bigger message here is that if I'm hearing this songs often enough over a decade nearly to be able to comment this precisely on his vocal techinque, that may be a sign of overuse of the songs!
ALSO, I am sick sick SICK of Just Got Paid. Never loved that song, although I do LOVE the Led Zeppelin...but I've heard this now nearly 20 times at every show I've been to every single year. I want MORE Led Zeppelin thrown in and MORE hard rock electric guitar frenzies and solos--but....can't we have something new? A couple of times he threw Peter Frampton in a few years ago, that was a nice surprise. For these big bucks, can we have some new stuff?
With every show it seems it's always the same old same old. Also all those fast blues numbers, I know there are a number of us on here who are on either side of the fence--some prefer traditional blues stuff, some of us (me) prefer more hard rock and slow bluesy wailing songs, not the fast blues that sounds too country for me....anyway but every song on the play list, almost every one, is years and years old. It's just all so predictable now, which is fine at first, but the 15th time is just gets old.
This last concert I didn't get the chills down my spine feeling from the electric guitar like I usually have at most of Joe's concerts in the past. Partly because he really didn't do much rock stuff or many long electric guitar solos. I don't think opening with the acoustic stuff worked, it didn't put people in a spell, was too mellow and didn't grab attention the strong powerful stuff is what gets them in to a trance-like state to then absorb what comes next--and slow down later. Also, I know he's a stickler about starting at 8pm on the dot, but really, half the audience was not seated and so you miss the entire first couple of songs with all the chaos all around. Why not start at 8:10?
Sorry to be such a debbie downer! I love Joe and am a huge fan and have every single CD, and I know I"m graced to be in front of a virtuoso...but still...10 years hearing the same stuff over and over--am I going to keep hearing the same stuff for the next 10 years? If so maybe I just save hundreds of dollars and listen to my CDs where he gets the words right (he never gets the Sloe Gin words right--ever--when he sings them live--compared to whats on his CD, and they are great lyrics so he should get them right.) Also at $120 bucks a pop, I think that's also what comes with the territory, you get complaining rights and perhaps start to want something much more for your increased money.
The best I ever heard Joe was at some place near Yale University, a dive bar, only 500 people, tickets were $20 each I think. I drove 90 minutes each way to get there. It' was awesome. I have not been getting that feeling over the past couple of years.....And to be honest, if the show at the Beacon in May is going to be the same as the show I just heard this weekend--the same songs I've heard for years, well, not sure I will pay $125+ to go...I know he'll have guest, BEth Hart would be a treat again, but she was only 2 songs anyway. And I saw her in NYC for $20 in June at the dive bar attached to Webster Hall.
Also, this closing himself off to new fans who can't or wont pay $100+, that really is a marketing mistake IMHO.
thanks--I welcome feedback, just don't be too harsh on me--remember I love Joe too--but I'm just being honest!