Topic: Giles Robson & The Dirty Aces - Darlington 23/3/12
Since the Crooked Heart album recieved such high praise in Classic Rock magazine I was curious to check out these guys even though I’m not a great fan of “old school” blues. However, chance came round and I’m glad I took it; they gave Darlington a shufflin’ boogie filled night to remember.
Obviously, they’re going to draw comparison with Hokie Joint, both being strong on the harmonica, but I’d say Hoikes are harmonica driven, while Dirty Aces are harmonica lead. Sort the semantics out between yourselves. These guys though have a strong Chicago roots, hence a lot of Chicago “shuffle” or as we learned, “lump” and treated us to some great covers of John Lee Hooker and Otis Spann (okay even I know he was a pianist) in the form of Dollar & A Quarter. Goes without saying, there was a Sonny Boy Williamson song - Steady Rollin’ Man. Giles also treated us to the harp man’s stock in trade, the train impression solo, supposedly inspired by a train ride to Falmouth but sounded more like the speeded up trip to Brighton you used to get as an intermission (so I’m told….). Rest of the set was drawn from the album as well as the odd track from the earlier E.P. Mighty Incinerator lived up to its name, the gospel Devil Led Evil was a bit of a highlight, Keep On Diggin, Some Kinda King and Stick To The Promise also stood out. Hard to think of a track that didn’t; even the cover of House Of The Rising Sun at break neck speed.
Filip Koslowski on guitar provided a perfect foil to Giles’ harmonica, matching and sometimes leading but never overpowering. Ian Jennings worked hard on the “dog-house” bass, giving some great lines and all tied together by Mike Hellier’s drumming. Vocally, Giles is in a class of his own, swapping from a harp run, he’s going to sound breathless at times, sometimes phrases are half-spoken rather than sung, but the important thing si that it works, works well in fact. In all, the guys gave an “authentic” sound without trying to slavishly “immitate” and manage to stay contemporary.
For their Darlington “debut” they managed to bring in about 75 to the Garden Bar room, so not a bad turn out. In all, a band worth watchin’ out for.
Mike
Give back the lemons. Why were the lemons free? What's wrong with the lemons?
Do Not trust the lemons...