LesPaul4 wrote:Ron,
If there is no info on their site, can you tell us about the amp itself?....watts?...speaker(s)?....etc?
Barry
Hi Barry
It is a 50W 2x12 (see pics) with Jensen Neos. The rhythm channel is different and more tonal qualities available then Marshall Silver Jub. This channel can now keep up with the Lead channel. See pics for controls. Has Mid boost switch and a power control for reduced levels. The Catagory 5 Joe B JUB Combo along with there 100w head models are extremly quite unlike most Marshall Silver Jubilees I have tried.
Some pics:
http://s1221.photobucket.com/albums/dd4 … b%20Combo/
Below is what Don Ritter commented on a thread under the Gear section of Joe’s forum “Settings for Jubille”
“I can't quite get to the level of detail Alan has shared here (I'm the marketing end of it-and a Petroleum Engineer by first degree,MBA by second-which means I only have 3 hours of EE-but I do have an audio engineer and a software engineer as designers on staff), but we started with a Jub style layout, and converted it point to point(eyelet board for you purists), and then began to change things a bit. Ours still uses diodes in the Drive channel, but we have removed the rhythm clipping function and replaced it with a mid boost switch-which works on both channels, much like what we do on his superlead style amp. We use sozo caps, a bit more filtering, pec pots, mercury mag transformers, essentially the best components we can find. The big difference is in the clean channel, where we have wired in a tube treble boost pedal of our own design into the front end of the clean channel. this allows the clean channel(which was anemic in our opinion) to be boosted up so it can hang with the drive channel and have a little more sparkle. It has its own saturation and level control, so you can get a very loud clean independent of the drive channel and output master set up. It still shares the input gain and output mater, but with the added saturation and level control, you can dial in a big clean or a dirty rhythm sound that has same relative levels as the drive channel, making the switching function more useful. The saturation also lets you get to a black crowes and ac/dc set of tones on the clean channel that sound very plexish(like the 68 style). We also added a low and high input so joe could run a therimin easily into either channel setting. This amp will clean up very nicely on either the drive or the clean channel. So we tried to cure it of the known complaints without changing the character of the drive channel too much. Joe let us do what we wished on the clean channel. The half power switch is a bit different as well. The amp is dead quite vs the originals that have a bit of inherent noise(some more than others as Alan mentioned). The loop is great, and we have grafted it onto several of our other amp designs, with a few tweaks. The 50 watter is same layout, only the half power switch is replaced with a power dampening style control for stage volume. DonR”
Cheers Ron
"Joe B saved my soul, forever grateful Ron"
"Some people dream of worthy accomplishments while others stay awake and do them"
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