adcard wrote:wow what perfect timing for me to chime on this.
I went to a buddy's studio this evening and jam'ed on a variety of pedals/amp/guitars. (he has A LOT of toys)
He had an EP booster and was having me listen to a variety of pedal configs to get my take. He's trying to dial in a good tone with his pedals running into a Twin because his band has been doing a lot of festivals and is having to use backline Twins on a lot of gigs.
This was my first time ever messing with an EP booster and we messed with it A LOT.
For singing leads/aggressive power chords we were screwing around with a Wampler Pinnacle Dist. Deluxe pedal (great EVH "brown" tone. Really cool for leads!) and comparing it to a MI Crunch Box
We were also A/B'ing a Barber LTD SR and a Xotic AC Booster looking for the right medium gain crunchy rhythm sound.
Long story short on both my PRS CU22 w/ Lollar PAF's and his mod'ed strat with a burstbucker pro humbucker in the bridge, the Pinnacle was by the far the winner and for the lower gain stuff it was a toss up. Both were cool in their own way with subtle differences
........All that is well and good, BUT we really got cooking when started experimenting with the EP Booster!!!
Once we got the other pedals dialed something fierce, we started A'B'ing the EP Booster and a Lizard Legs flying dragon clean boost on top to hear the differences. The Lizard Leg stuff is really good at doing what its designed to do which is pure clean boost without ANY added tone/drive/character so thats always good to have on board, but the EP Booster was just so cool in a subtly huge kinda way. Its adds balls and clarity in a very interesting kinda way. Its different than any other fattening boost type effect I've ever heard. It adds bigness and thickness to the tone but is able to do it in a really clean shimmery kinda way. We also experimented with the inner DIP switches which allow you to engage/disengage a bass boost and engage/disengage a bright switch which gives you a variety of colors and textures to choose from. Really useful for catering the pedal to your specific guitar i.e. taming the highness and fattening the sound of a single coil by using the bass boost and possibly disengaging the bright switch, or brightening a dark LP style guitar. None of the features change the sound in a dramatic way so you really cant go wrong. You basically CAN'T make the pedal sound bad.
I really liked it a ton and so did he.
We also messed around with all of this stuff ran into his Bogner Shiva 112 combo (one of the older models). The Shiva is his main amp. He uses a one or two of the newer ones live when he doesn't have to deal with backline. We ran stuff into the clean channel and into the gain channel. Used some verb from the amp and a carbon copy delay in front of the amp and messed around with the delay in the FX loop.....Again, same story, regardless of how everything else was setup and sounding, the EP booster always added a bit of extra mojo and never got in the way.
The only thing thats a little weird is the way the boost knob works. Even turned all the way down, its still a boost to the signal and it goes up from there in a not-so-linear kinda way. It never gets too loud even turn all the way up and it even at zero on the dial, its still a boost. Thats a little strange at first, but it doesn't really matter so much given the way in which this pedal works, and as per Xotic's website as of July 2011 the pedals come with an internal DIP switch that allows you have "true unity gain" in the way the knob works. I promise though, don't let that stop you from picking one up. New DIP switch or not, you just aint gone' find a bad sound with this pedal
Woah, that's a detailed post right there man!!
Sounds excellent, I am really tempted to get one of these EP boosters, although I'm also thinking about changing amps too and sadly the piggy-bank is not bottomless....might have to compose a nice letter to Father Christmas...
Speaking of trying out different overdrives, if you or your friend get a chance to try out an Earthquaker Devices Chrysalis overdrive then do, it's a fantastic little pedal...not too much gain on tap, and it's not specifically trying to sound like any amp/tone in particular, but it just sounds like a well cranked vintage tube amp - any great early/mid 70's classic rock tone you can name, it'll do brilliantly. Well priced too....trying to spread the name around a bit...these pedals don't get nearly enough credit 
Peace
James
'What's the use in gettin' sober......when you're gonna get drunk again' - Louis Jordan
Guitars - Gibson VOS R8 LP, Custom built Telecaster w/Bare Knuckle and Duncan pickups, 60's/70's Kay Tulip (for slide)
Amps n ting -1966 Fender Deluxe Reverb, 1961 Gibson GA30 Invader, Fredric Effects Golden Eagle, Wampler Faux Analog Echo