Hi Guys,
Thanks for the kind welcome and the great info!
jgalvan8804,
Thanks for turning me on to Rose Hill Drive. Always great to be hipped to new bands! They weren't on my radar before. The tone that their guitarist has happening is cool, but different, I think, than what I'm trying to achieve.
In terms of my band... I lead two projects. Unfortunately, both are in a state of transition (ah the joys of being in a band, eh? LOL). One is a modern heavy progressive rock/metal band, Zen by Numbers. The other is a blues band (kind of a mix of modern blues ala Robben Ford, John Mayer, and of course, Joe), Matt Pinson and the The Blue Mile.
stratpaulguy86,
The Metropoulos amps have been on my consideration list for a while. I'v e-mailed with George back and forth a bit and he seems to be one of the nicest guys in the world (very much like Greg Germino). Of course, insanely knowledgeable as well (also like Greg). I had the opportunity to try out a 12000 series a while back (had PPIV MV and fx loop), but the conditions weren't exactly optimal. Not my personal guitar, not the ideal cab/speaker pairing (a 1960B cab with V30's), and some poor studio wiring causing lots of hum/noise. Seemed like it had the potential to be a very cool amp, but it wasn't gelling with me at the time. I think if I had more time with it and in more ideal circumstance, I might have dug it more. I don't think it got a fair shake. However, I think that that may have been the wrong year/spec Marshall for what I am after (wondering if I might like the Drake more than the Dagnall). I was planning on going to the LA amp show this weekend to check out all the Metro goodness, but wasn't able to make that happen, unfortunately. Anybody here going?
The Germino clips that I've heard seem to resonate a bit more with me and I hear a little something in these that I haven't in other places. As always, hard to tell with clips, but my mojo detector seemed to detect something, if that makes sense.
I would love to check out a Silver Jube... Joe makes his sound unreal (in a great way), lots of other clips I've heard from others, not so much. Of course, I get the feeling that Joe could make Peavey Backstage 50 sound incredible!
So hard without getting to play these things for yourself, isn't it? As you know, these have been pretty pricey and a bit hard to find. I'll admit that I'm also a little hesitant as I haven't always had great luck with 2nd hand amps... Went to try out what looked to be a 67 Super Bass and matching pinstripe 4x12 yesterday and it was flatlined. Bummer.
I'll have to look further into the SD45 if that is the main contributor to the "Gibson" clip. I LOVE that tone!
I'm kind of holding off on the Dumble types for now... I know that will be a later obsession. My fav Dumble tone is Robben Ford's, so I would probably chase that for that style amp. Not deep enough pockets to do it all at one, you know?
I'm just being really picky as I already have some nice amps that sound great to my ears (just nothing Marshall-y)...
Mk IV, Dual Rec Solo, Triaxis/2:90, Lone Star, Blackface Super Reverb, and also an Axe-Fx (for direct recording when micing isn't possible)
My Lone Star kills for blues/classic rock tone, as does my BFSR, but neither do the Marshall thing. I'll sometimes run an OCD on HP in front of my LS and this adds some British flavor, but it's not the same. I'm thinking that, based on the recommendations given here, that my LS and a Marshall-type using Joe's echo + wet amp technique would yield good results.
Sorry, for the long post... It's nice to talk with others about this stuff!
Cheers,
-Matt