I gotta respectfully disagree with many of the Posts on this Thread.
Man, I'd get a little more experience with Amps before I spent a bundle on one.
For instance:
Are you familiar with how a Blackfaced Fender sounds and, maybe more importantly, reacts, versus a Tweed Fender?
For Clean Tones, do you prefer the Chime of a Vox AC30, or the Depth of a Deluxe Reverb?
Is the Plexi styled Marshall your preference? Or, do you prefer a JCM 800?
All I'm saying is this, these are some of the basics of knowing about Amps. If any of these areas are foggy, then you should spend some serious time listening, and more importantly, playing these same Amps. Go to every music store, and every Jam Session you can.
Playing them yourself, and maybe going to some actual live shows and listening to things in person is the only way.
And it takes time. Better to spend $100.00 to $350.00 for an Amp that will yield 90 to 95% of the best Amps. And those "Best" Amps will only give up the goods, at volume.
Regardless of what anybody tells you, there is no Pedal or Attenuator that will replace the Power Tubes of an Amp, working hard. And that means, with all Volumes and/or Master Volumes at Noon or above.
And Pre-Amp Tubes are not what we're talking about here.
Tube Amps NEED to be working hard.
When you're talking about Apartment Volume Levels, a Peavey Classic 30 will sound 95% as good as a hand made, custom, high dollar Amp.
And, at those low volumes, the Line 6 Spyder may actually sound better.
I'll stop now. But, I had to give you the straight dope here.
Early 80's 1957 U.S. Vintage Reissue Stratocaster (Surf Green)-Warmouth Soloist Pearly Gates Neck, Pearly Gates Bridge- Larrivee D-03 (Mahogany/ Spruce)
Carmen Ghia Head- Marshall 112 Cab W/G12H 30 or Custom 4 X 6v6 Head or Budda Twinmaster Plus Head-Traynor 212 Cab w/Eminence Texas Heats.
Mo'D-Eternity-Blues Pro- Timmy-BYOC Chorus/Vibrato- TC SCF- Korg DT 10 Pedal Tuner