WoodyTone wrote:stratpaulguy86 wrote:I liked the 100w JVM that I played recently. It's also one of the backline amps at the GC KOTB's contest. To be honest before I would drop the coin for the JVM I would give Peavey a serious consideration. I have gotten some downright respectable blues/hard rock/metal tones out of their XXX and JSX amplifiers. I prefer the JSX if given a choice between them.
Ironically, Joe Satriani has nixed the JSX in a band situation for the JVM. I had a recent post on my blog about it here:
http://www.woodytone.com/2009/08/20/sat … ickenfoot/
To the op, I personally favor the headroom of a higher-watt amp, and there's always an attenuator....
I'd have to agree with Joe's choice as IMO the Marshall is a better amp. My previous post may have been misread as I was comparing the XXX with the JSX. While the JSX is cool I don't really think it is as versitle or as "Marshall" sounding as the JVM. The one thing that the JSX does that I like (even at low volumes) is a nice controllable feedback. I agree that people should not be afraid of big amps. Unless you are cranking the bajesus out of a low wattage amp you are not really getting power tube distortion anyways. Ever play an 50 or 100 watt Marshall Plexi? Those amps are pretty darn clean especially with single coils until you are way over 100 db. Most amps today are designed to have the preamp do most of the tone sculpting and the power amp just provide the volume. That's not to say the power section doesn't have any important tone roles but unless you are cranking a 1w-5w amp (still loud) full blast it's going to be mostly preamp that you are hearing. Amps like Soldanos, modern Master Volume Marshalls, Dumbles, Mesa Boogies, Riveras, VHTs, Diezel, Bogner, etc etc are known for their overdrive tones. I promise you most people aren't riding that master volume past half way even at concerts! Point is that you can get great tones out of big amps without big volume.
'67 and '74 Fender Twin Reverbs, '74 Marshall 1987 lead mkII, Metro Superlead 100. Pedals from TC Electronic, Ibanez, Dunlop, BK Butler, Electro-Harmonix, Fulltone, Maestro/Gibson, Loopmaster switching, VoodooLab, Boss. Gibson and Fender guitars, Dimarzio pickups.