GuitarShogun wrote:Ok. This has been plaguing me lately on a decision. Any help will be greatly appreciated!
I'm about to purchase a f#nder strat neck from Warmoth but I'm curious as to what fretboard wood I should buy. I'm leaning towards a Pau Ferro or Brazilian rosewood. However, I have a one piece maple neck which is killing me with the highs and I prefer a warmer/rounder sound. I've read that Pau ferro has characteristics that are close to a one piece maple neck? I'm looking for a Stevie Ray Vaughan kinda sound(cliche I know). I've already got Rocketfire pickups and an alder body, but the Rocketfires are fairly vintage sounding so they are a little on the bright side.
Ok now for the question Has anybody had/have any experiences with a Pau Ferro fretboard??? How comparable is it to maple? Brazilian rosewood is kind of an obvious choice but it's a few dollars more.
Thoughts? Suggestions?? Clarifications???
The fingerboard wood won't save a bright guitar, but it can help a little. I would stay away from Maple and Ebony like the plague, they will brighten the guitar the most. Rosewood is rosewood to my ears and it just varies on looks mostly. I have played dead sounding guitars that are supposed to have super high quality brazillian, and others that sound like magic with Indian rosewood. It all depends on how much you want to spend. If you can swing the brazillian, that's what I would go for. I too went through the SRV obsession just like about every blues guitarist coming up nowdays...I won't open that can of worms but I just got tired of that particular sound. IMO Stevie made it work and not even KWS, Garza, Mato, Mayer, or any of the other 1,000,000 guys could truely pull it off. The closest I got was a cheap maple necked Mexican Strat loaded with Texas Specials through a Fender Blues JR. and a Boss BD-2 Blues Driver. I could NAIL that sound all day on a bright maple strat. I suggest wenching some of the heaviest strings available on there, raise the action way up, 5 trem springs, crank that amp up super loud and slam it with a couple tubescreamers. That should get you pretty close! Good luck and best wishes! Don't forget to find your own sound along the way!
-Justin
'67 and '74 Fender Twin Reverbs, '74 Marshall 1987 lead mkII, Metro Superlead 100. Pedals from TC Electronic, Ibanez, Dunlop, BK Butler, Electro-Harmonix, Fulltone, Maestro/Gibson, Loopmaster switching, VoodooLab, Boss. Gibson and Fender guitars, Dimarzio pickups.