Topic: Aged Guitars

I guess we might have had a thread about this when the JB Les Paul was mooted, but there is a letter in the July edition (July ?? It's still May !!) of Guitar Magazine (UK one) this month which brings the topic up and got me thinking again.

If I were right handed I would have tried to buy one of the even more limited non aged JB LP's. I just don't get this artificial aged thing hmm.

Some stupid opened their car door on mine yesterday and took a chip out of the paintwork and left a small dent....and I was actually sitting in the car at the time !! I really didn't like that.
If she had opened the door on my Les Paul and done the same thing I would have been 10 times more appalled !!

And yet some people pay a premium to have this sort of thing done in the factory !!

Aged gracefully and in real time - yes (I do hope my Les Paul doesn't get bashed though !! It's so beautiful cool).
Have someone throw keys at it in the factory. No thanks.

Can someone get me to understand the attraction of artificial aging ?

Re: Aged Guitars

I'm not sure how it is in the UK or other parts of the world but when you go into a furniture store here and across the country and go in to the most expensive showroom the majority of styles available are distressed and aged.

Antique reproduction furniture has a market because to buy the real thing, such as a 17th century Italian Standing Man cabinet would cost $250,000.00 if you could find one. Furniture is admired that is from the hand tooled era. Where boards were hewn with an axe hand scraped to smooth with edges hand carved. A furniture piece from that age will have natual worm holes especially European pieces.

Joe has seen enough authentic 57/58/59's that he appreciates the natural wear and age that the guitars go through. Not many people can afford an authentic 57 so a reproduction is the answer. His happens to be a replication of a specific guitar that went through his dad's shop when he was a kid. He also likes the fact that he can play one night after night and not worry about adding any belt buckle rash or nick.

I understand the concept and own distressed furniture and prefer that my furniture not look like it came off the showroom floor yesterday. It is an old money attitude like the Astor's and the Rockefellar's not a gloss and glitz attitude like Trump, a new money guy. I'm neither old money or new money but I make my living working around people with money so I understand the mindset. 

Some people still want their furniture to look showroom new when they have it delivered. Then follow guests and children around making sure they don't scratch or dent the piece. A distressed piece that aquires a new ding just adds to the character of the piece.

There is nothing wrong with either attitudes it is simply a matter of personal preference. I prefer distressed furniture and some guitars but I want my car to look showroom new.

3 (edited by BluesMan 2009-05-17 17:14:39)

Re: Aged Guitars

Interesting topic and I can see the value from both sides. However, if I am going to spend upwards of 4 or $5,000 for a "new" guitar, then I would want it to be a new guitar. Whatever nicks, cuts or scratches then would be from me and my history with the guitar.

I guess the other thought about "aged" guitars is that no two are alike. So if that's the case, one is not getting an exact "replica" of the original instrument as far as aging is concerned. However, either way, if you are one of the lucky ones to have been able to afford and secured a Gibson Joe Bonamassa influenced Les Paul Gold Top aged or not, then count me as one person who admires you! Getting the opportunity to touch and play number "005" was something I won't soon forget. Thanks again to my good friend and brother Mikey! wink

Roy

Joe is the Best!

Re: Aged Guitars

I've got mixed feelings on this.

On one hand, Joe wanted his "Inspired By" Les Pauls to be played, not to be locked away as investments. I agree with him on this. If I scratch the finish or put a dent in it, it won't lose any value so I'm not afraid to plug it in and let it rip. And I'm proud to have had to opportunity to own one.

On the other hand, would I pay EXTRA for a "road worn" non-signature Fender? No way Jose! If I'm going to drop over $1K on a new axe I want it shiny and defect free. Case in point: the Fender $25,000 EVH Frankenstrat? Maybe if it was Eddie's original, but not for a reproduction!

Major Tom to ground control...