Topic: Important Question for Mr. Bonamassa (Technique)!

Hi Joe,
I was just listening to some old live Bloodline recordings and I am still amazed at your flawless right hand picking technique. I am always impressed by how you can effortlessly flow through musical phrases at lightning speeds, cleanly picking each note.  When you were younger, how did you develop that technique?  Did you do any special types of excercises or warm ups?  Do you still to anything warm up those chops?  Thanks!

Re: Important Question for Mr. Bonamassa (Technique)!

Can I also add regarding Joe's picking: What sort of songs/artists did you study to develop your chops? I can detect a bit of an Eric Johnson influence in your technical area. And who would you suggest young guitarists ike me and Jamey listen to and learn from?

-Jess
Check out my band Beth and The Black Cat Bones http://www.myspace.com/bethandtheblackcatbones
Also my own page for my guitar playing http://www.myspace.com/jesszub

Re: Important Question for Mr. Bonamassa (Technique)!

Jamey & Jess (and others) If you haven't managed to get ahold of a copy of Joe's Hot Licks instructional video entitled "Lead Guitar Unlimited" which came out about 10 years ago (give or take) keep an eye out on Ebay...they pop up from time to time for about $30 USD. In this video he goes into some detail about his influences and some of where he "picked up" (no pun intended) some of his techniques.  It's an interesting watch even if you're not an aspiring guitarist.  Not suprisingly, he infers that a lot of his right-hand style was learned from Danny Gatton, the master of the Telecaster (RIP).

I'd made another posting on this video some time ago that a distributor told me that the whole Hot Licks company had been sold and the new company was allegedly going to be re-releasing it (with some new bonus footage) on DVD but I haven't seen it yet....though they've done this for several other of their titles, including Warren Haynes and Eric Johnson.

I was lucky enough to have a wonderful Joe fan lend me their copy for a while until I was able to obtain one.  Good luck and Joe may chime in to answer this question himself.

CarljMD

Takers get the honey, givers sing the blues

Re: Important Question for Mr. Bonamassa (Technique)!

Jess wrote:

Can I also add regarding Joe's picking: What sort of songs/artists did you study to develop your chops? I can detect a bit of an Eric Johnson influence in your technical area. And who would you suggest young guitarists ike me and Jamey listen to and learn from?

From conversations I have heard in the past, I can take a stab at this one.

ok - so everybody knows Jimi Hendrix and Stevie Ray Vaughan. Everone studys them, so you can get away from those artists a little and explore some different directions. I guess some would toss Eric Clapton and Jeff Beck in this pool as well.

Here are some guys I didn't know of prior to knowing JB, and I can hear phrases Joe does consistent with the style of these artists: Rory Gallagher, Peter Green, Robin Trower, Frank Marino, Danny Gatton. There is likely a laundry list of others.

- Nic from Detroit... posting on JB's Forum since 6-2-2006
Ask me about my handwound Great Lakes Guitar Pickups
Since 2010, Bonamassa fans have taken advantage of my JB friend discount = my cost + shipping. cool

Re: Important Question for Mr. Bonamassa (Technique)!

thanks for the responses.  I do have the instructional video, and am aware of Joe's influences, but the technique I am refering to is purely the physical aspect.  I am looking for warm up ideas and methods to physically develop flawless right hand picking (ie playing major scales with 16th notes of each scale degree with a metronome).  Love to hear an answer from Mr. Bonamassa as well.

Re: Important Question for Mr. Bonamassa (Technique)!

Joe's playing has definitely changed over the years. If you go back and listen to him 10-15 years ago you hear a lot more Stevie Ray Vaughan and Danny Gatton.  He doesn't do the country chickin pickin stuff that he used to.

I hear a lot more Rory Gallagher and Eric Johnson and Jeff Beck. Of course I've always heard the influence of Clapton in his playing.

I also think Joe has been influenced a lot by progressive rock as well. Even Al DiMeola is an influence as I've been to a million of his shows and he plays some Al DiMeola influenced riffs during the acoustic part. I'm sure he's listened to the album "Friday Night In San Fransisco"

Re: Important Question for Mr. Bonamassa (Technique)!

Al DiMeola  is somebody Zakk Wylde always talks about as well. I need to get some of his music.

- Nic from Detroit... posting on JB's Forum since 6-2-2006
Ask me about my handwound Great Lakes Guitar Pickups
Since 2010, Bonamassa fans have taken advantage of my JB friend discount = my cost + shipping. cool

Re: Important Question for Mr. Bonamassa (Technique)!

Almost positive I read Al Di Meola was a neighbor of Richie Sambora, and Richie got some lessons at one time

know I read it somewhere......

9 (edited by Fretwork 2007-07-11 13:17:38)

Re: Important Question for Mr. Bonamassa (Technique)!

There was an article on Al DiMeola in the Guitar One with Joe on the cover a few months back.  He talks in depth about his technique.

"There is nothing to it.  You only have to hit the right notes at the right time and the instrument plays itself."---Johann Sebastian Bach

Re: Important Question for Mr. Bonamassa (Technique)!

I've been a DiMeola fan since the 70's....I'd highly recommend his solo albums (err...CD's) Elegant Gypsy, Electric Rendezvous, Casino and Scenario, and the live album mentioned above feat. John McLaughlin (of Mahavishnu Orchestra), Paco DeLucia (the flamenco king) and Al D, dueling in trio format on acoustic guitar.  I'd bet big money that Faux Mantini was inspired by the playing on this recording.  Didn't really keep up when he started going to the world music bit.

Don't know if you can download his stuff from ITunes, but I'd check out "Mediterranean Sunrise" for acoustic stuff and "Race with the Devil on a Spanish Highway" for electrified insanity.  I remember being a 15 year old kid, playing guitar for a few years and looking at the speakers of my friend's stereo going "that's impossible, no one can play that!"  I have the same feeling watching Joe play LOL.

CarljMD

Takers get the honey, givers sing the blues

11 (edited by gibson59lp 2007-07-11 17:59:19)

Re: Important Question for Mr. Bonamassa (Technique)!

CarljMD wrote:

I have the same feeling watching Joe play LOL.

CarljMD

Al DiMeola's playing is much more complicated and sophisticated than Joe's. I would recommend checking out anything that DiMeola did with the exception of the stuff he recorded in the mid-late 80's.

I would recommend some of the things DiMeola has recorded in the past 20 years like World Sinfonia and Heart of the Immigrants. Very very complicated playing.

The stuff DiMeola recorded in the 70's is more just a guy showing off his chops. Albums like Flesh on Flesh have a lot more composition involved and the playing is a lot more tasteful and mature.

Re: Important Question for Mr. Bonamassa (Technique)!

I've never really been moved by anything from DiMieloa for some reason.  In the jazz/fusion realm I prefer John Scofield, John McLaughlin, Mike Stern, George Benson, Scott Henderson, Don Mock and Mitch Chmara.

Re: Important Question for Mr. Bonamassa (Technique)!

Vette335 wrote:

I've never really been moved by anything from DiMieloa for some reason.  In the jazz/fusion realm I prefer John Scofield, John McLaughlin, Mike Stern, George Benson, Scott Henderson, Don Mock and Mitch Chmara.

Whats your favorite Don Mock album?

Re: Important Question for Mr. Bonamassa (Technique)!

i like "speed of light" better than "mock one".  I wish he would release something new.  Incredible teacher and instructor.

15 (edited by gibson59lp 2007-07-12 07:41:39)

Re: Important Question for Mr. Bonamassa (Technique)!

Vette335 wrote:

i like "speed of light" better than "mock one".  I wish he would release something new.  Incredible teacher and instructor.

Mock one is old school from the 70's. His tone on that record reminds me of Steve Morse's tone in the 70's. I'm surprised you have that album since it's only available on vinyl.

Don Mock's playing is hit or miss to me. He's played some of the most amazing things I've ever heard but he overuses the guitar synthesizer. He has this instructional video where he plays some great licks but it's ruined because he uses this stupid harmonica patch on a Roland synth and it just sounds so cheesy.

The first two tracks are amazing on Speed of Light and then it just goes down hill as he goes way overboard on the synth.

Re: Important Question for Mr. Bonamassa (Technique)!

Vette335 wrote:

thanks for the responses.  I do have the instructional video, and am aware of Joe's influences, but the technique I am refering to is purely the physical aspect.  I am looking for warm up ideas and methods to physically develop flawless right hand picking (ie playing major scales with 16th notes of each scale degree with a metronome).  Love to hear an answer from Mr. Bonamassa as well.

You probably already know this, but something that I've noticed Joe do when he plays is that he anchors his right hand on the bridge.  I believe this is one of the easiest and most overlooked techniques to clean up your sound.

"There is nothing to it.  You only have to hit the right notes at the right time and the instrument plays itself."---Johann Sebastian Bach

Re: Important Question for Mr. Bonamassa (Technique)!

BINGO!    with Joe it's all about keeping the fleshy part of his picking hand in proper postition to mute the unused strings when he picks those faster patterns.  The picking style isn't all that different than basic shredding but most of those guys could care less about how messy it sounds. Joe's style allows you to hear definition in every note which makes it much more palatable to the ear.  Joe also learned something at an early age that some guitarists never learn...pacing.  There's nothing more fatigueing to the human ear than a constant barrage of fast notes.  If it doesn't breathe then it's choking.



Fretwork wrote:
Vette335 wrote:

thanks for the responses.  I do have the instructional video, and am aware of Joe's influences, but the technique I am refering to is purely the physical aspect.  I am looking for warm up ideas and methods to physically develop flawless right hand picking (ie playing major scales with 16th notes of each scale degree with a metronome).  Love to hear an answer from Mr. Bonamassa as well.

You probably already know this, but something that I've noticed Joe do when he plays is that he anchors his right hand on the bridge.  I believe this is one of the easiest and most overlooked techniques to clean up your sound.

"why isn't the number "11" pronounced "onety one"???....S. Wright.

Re: Important Question for Mr. Bonamassa (Technique)!

furthermore the real trick is to breathe without "drying up" or running out of gas - joe does that do.

- Nic from Detroit... posting on JB's Forum since 6-2-2006
Ask me about my handwound Great Lakes Guitar Pickups
Since 2010, Bonamassa fans have taken advantage of my JB friend discount = my cost + shipping. cool