Well, the great long national nightmare that is/was our Bonamassa famine is over! It had been over a year since we had seen him live, but now we have an afterglow that should last us until next May. We have both now thoroughly thawed out after a bitterly cold November evening in DC and are ready to offer our take on the evening. And Joe, yes, it was f'in cold, and you're based in Malibu now, but then again, you're a veteran of upstate New York, right?
First of all, it was good to see those we've seen many times before (Cathy and Bob), and also to meet others we've only met once or twice (JClark, can1208), and some we have not met before (nmagcorn). It was great to see you all, and given that it had been so long since we'd seen Joe, we hadn't seen many of you either, although some we have at other events in the past year.
As for the show itself, I can simply say that the string remains intact; I've never seen Joe give a bad show. Regarding the comments on recent changes others have commented on, my take is, love the new lighting system! It didn't really impact my photos, either. I also like the new, more open stage, although from our seats on the left we never saw Rick at ALL until the end of the show when he came out and took a bow, and when Joe went over to interact with him, we lost Joe too. But that's not Joe's fault, they obviously need to tear down the Warner and rebuild it with more audience-friendly sightlines.
Regarding the shortened WUD, I've said before that was what really made me a Bonamaniac from the first show so many years ago, but things do change and I'm cool with it, just glad he didn't eliminate it from the set altogether, as he surely could have done after playing it so long and in so many different ways. Starting with the acoustic set was fine with me, really enjoyed "Driving Toward the Daylight." I'm also fine with the new Sloe Gin, doesn't really seem all that different to me from the old version. I actually missed the John Henry theramin (sp?) more than I thought I would, but still not that much. (Jocelyn is glad it's gone, she says Joe doesn't need it, and I have to agree.) Still finding Django/Mountain Time and Just Got Paid to be as sublime as a Caribbean beach.
Our take on the bus situation is that when Joe has always been so gracious about coming out after the shows, it stands to reason that after all these years an appearance from the Man Himself is expected... not that it's demanded, but it's certainly not unreasonable if he (almost) always does it. I also understand he's still fighting off his recent illness so no one faults him for protecting himself from the arctic air. Maybe a good thing to keep in mind for future shows is to send someone out to the waiting fans, giving them his apologies for not being able to come out afterward? That way no one is left hanging or gets the wrong impression.
In defense of Cathy, there are very, very few people who are more stallwart, vocal Bonamaniacs, and no one should ever think anything she says should ever be taken as anything but an attempt to be as supportive and appreciative as possible. She actually broke away from our group early so that she could run over to pass out fliers in the cold for Joe, so we have no doubt that her heart was, is, and will always be, in the right place.