synchu wrote:Now that's fantastic playing, but in whole honesty the tone simply doesn't hold, sorry. I agree there are a number of excellent low cost guitars and amps, but you get what you pay for.
There is some truth to this, because the elements of tone are a complex thing. First there is the player and how he/she "hears" the music. Then there is attack, and how a player feels that day, and about the music, as related to the way the note choices take place and how hard the strings are hit. Of course, the choice of picks and/or playing finger-style. By the time we get to this part of the equation of tone, well, I think 85-90% of it is covered. The rest of it certainly influences the tone as well; I play LP style guitars much differently than Strat/Tele guitars; this may be because of bias in terms of historical sounds, but things like fret height and fretboard radius (not so much material), and neck shape make a giant difference in how i play the instrument. Then there is amp choice, and whether or not pedals are used, which could take and has taken a giant amount of time in this forum alone. We love that discussion!! I think that the recording in the video is not the best and that if you were out on the crowd, watching and listening with your eyes closed, meaning, without a brand bias, you would be floored and not question the choice of gear for that day. I happen to know Jack owns several nice Gibsons and G&L's, and also owns/plays through nice boutique stuff. Did he sound his best that day? Maybe, maybe not, but nobody with open ears can sit here and say "his tone was bad". I think in the general case scenario, a great expensive guitar, and a great expensive amp, become altogether a great expensive banner of how good a player is. Put a great player behind great gear, you get greatness; put a mediocre player behind great gear, he/she will still sound mediocre, but just more "loudly".
i think we also have a visual bias. a lot of us, not all of us, but a good majority (you know out there in the world and not necessarily here) we see great gear and we think "that sounds great". I am blessed that through the years I have owned a lot of great stuff, that has come and gone and nowadays i only have what i need and use. I remember in the 90's I used to go see bands, and if they had great gear I would not even listen, because it meant they were not playing hard enough (you know, at local club shows). I was wrong then, and constantly learn.
I plugged my old Fender Squier in just yesterday for some pedal reviews I am doing, and granted over the years i "improved" it. Lace Sensors went it, then vintage style locking tuners, and a vintage bridge and large trem block, upgraded. But ultimately, beside the pickups, the improvements did change the tone (at least the sonic aspect of it), but not how it played and made me feel on the hands.
whoa... I just ranted a bit. not an angry rant though, but just wanted to share some of my points and things i have learned after playing guitar for over 25 years.
Amp: Firebird Musical Amplifiers
Guitars:62 LP SG , 02 FB VII, JB FB I, 76 Electra Omega, 64 Firebird V, 73 LPC, 61 Custom Tele, 59 and 60 Melody Maker
Effects: Mythos Chupacabra, Strymon Deco/Flint