After reading this article, it is complete arbitrary nonsense. Too many questions and not enough answers.
1. So why did Meyer or Hendrix feel they needed to go to a plain .15?
2. What is Meyer talking about when he says the sound of the guitar is very G heavy if a .17 is used?
3. If "SRV" used 13's he must have been VERY G Heavy... still what does that mean? It worked for him.
"You should always remember that, because many, many times people use a set of strings that are completely imbalanced and they just don't sound that good. Most people would say a .010 to .013 is the correct jump. And the .015 is much better for the G than a .017. An .015 squares out at .225 and .017 is 289. So you're going to get 28 percent more output just with a two-pound different in string size.”
4. Why is Meyer talking about "string output”? Needs more clarification. Louder? Longer lasting notes? We have zero idea.
5. What does “imbalanced and they just don’t sound that good” mean... like they go too dull or bright or what is it?
6. Mayer says an important part of Hendrix's sound was due to his use of carefully selected string gauges, which evened out the guitar's response from string to string. "Evened out the response" in what way?
The answer? Voodoo.
- Nic from Detroit...
posting on JB's Forum since 6-2-2006Ask me about my handwound
Great Lakes Guitar Pickups Since 2010, Bonamassa fans have taken advantage of my JB friend discount = my cost + shipping.
