Sure,
I have 3 presets:
1. Jubilee+Marshall Super lead (or) Bogner Ecstasy:
The Bogner sound is similar to the Bogner he used to have in his rig. If I use the Super Lead, I'll put a tube screamer in front of it to emulate the gain/mid boost on his Cat 5 JB-100 (the Bogner has enough gain as is). I put a bypassed tube screamer in front of the Jubilee to give me that option with that amp, as well.
2. Jubilee+Dumble:
Dumble has a slap back (200ms) analog-sounding delay that is always on. Along with a tube screamer to give it a little more gain and bring the mids forward. It runs into Celestion Vintage 30s (4X12). I added a bypassed MXR type phaser, as well.
3. Jubilee+Carol-Ann:
The amp i use for the Carol-Ann sound is the Twin Reverb running through Vintage 30s (4X12). Set with alot of presense and treble. And the overdrive comes from a Pro Co Rat Pedal with drive and gain set at 1:00 and tone set at 0. Chorus is the Dimension chorus with mix set at 12:00.
The Jubilee sound is the same throughout all presets:
Bypassed Tube screamer, and tremolo.
I also put bypassed delays in front of both amps.
For Jubilee: Analog Boss type delay is set at a tap tempo dotted eighth note with all other knobs at 12:00, except for mix (put that at around 11:00).
And for all other amps use that same delay just set at a slight slap back with minimal feedback. Again, these are all bypassed except for the Dumble delay.
For reverbs, i use the cavernous setting and also the spring reverb in the POD.
I run my pod into a Crate Vintage Club 30.
Overall, it sounds pretty good. Definitely not as good as the real thing, but a good sounding setup nonetheless.
Garrett
Guitar: Gibson Les Paul Studio (Faded cherry)
Pedal(s): Pod X3 Live (amp modeling); Boss DS-1 (self mod); Voodoo Lab Sparkle Drive
Amp: All-tube (4 EL84) Crate Vintage Club 30 (made in St. Louis, MO)
Picks: Dunlop Jazz IIIs; Dunlop Tortex