jgalvan8804 wrote:I read this entire thread. It took quite awile. Honestly I dont think Fender has to pay Joe for anything when designing a guitar. First off he doesnt have the right to copyright a strat as fender already owns that. He can alter it any way he wants and wear it down to the bone. Fender can then make an exact copy of his guitar down to the pick scratches and thats their right.
Not really friendly or good for buisness but their right.
Second I read someone said that for Joe's gold top it good they are making it in the Custom shop cause they can do a perfect replication. What are they replicating. From what I read this guitar is a 57 reissue with black pickup rings and different tone volume covers.
Would someone please tell me what the difference is going to be between a stock 57 reissue and Joes signature. Other than probably a 2000 dollar price jump. Also I wonder what Dickey Betts thinks about this Goldtop. I would really like to know what makes this one special.
Third I think its sad people dont just listen to the music and stop whining about SRV. He was not the first great blues guitar player and he surely wasnt the last. He is not the first to use a strat into a fender. Nor will he be the last. If he inspired someone to pick up the guitar then thats his legacy.
We need to stop comparing everyone to everyone. It shouldnt be a club of 12 guitarists who are truely original. That list of clapton, allman, hendrix, srv, bonamassa is ridiculous.
If stats get you off play them. If SRV's tone is what makes you smile then copy it. If Joe Bonamassa is the best guitar player you have ever seen or heard ( this is me ) then go spen 3000 dollars on a 58 Les Paul reissue and work hard to get it sounding sweet and thick thru a Vox/ Fender combination. I am not ashamed of trying to sound like Joe. God I hope I sound something like him.
I hope Joe is around for a long time to continue to inspire me with regard to playing. I've seen him 4 times and plan on seeing him about 500 more before I die.
I don't think anyone is inferring Fender "has" to pay, but they could have easily done so.
Especially with the price they are charging. Would have been very easy to call it a
Joe Bonamassa "inspired", or "signature" strat.
My beef is Fender does So Many sig strats, why not honor Joe
that Gold strat was way more associated with Joe than many of the other sigs
Can't think of anyone else I could more associate that Gold Sparkle strat with.
I know Dick Dale had one close with an upside headstock, but Fender
called that a Dick Dale strat.
Fender is obviously aware of the power of artist replicas, 20k for Blackie, Lenny, SRV #1
It had to cross their minds when they were makin it.
I'm sure the Master Builder who "designed" it, knows who Joe is