Re: Is Joe re-defining the modern day Blues?
The Blues had a baby and they called it rock an roll
Your hard sweet and sticky
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Joe Bonamassa Forum → General Topics → Is Joe re-defining the modern day Blues?
The Blues had a baby and they called it rock an roll
The Blues had a baby and they called it rock an roll
Exactly, so why do people restropectively call it blues 50 years later!
From the Liverpool City Beatles portal
George Harrison had a fondness for American rockabilly music, particularly that of Eddie Cochran and Carl Perkins. The band's early stage show featured several Perkins tunes; some of these (notably "Honey Don't" featuring an early Ringo vocal) would eventually make it to vinyl. Moreover, Harrison's guitar work remained highly influenced by rockabilly styles throughout the band's tenure.
The Beatles' distinctive vocal harmonies were also influenced by those of early Motown artists in America; early Beatles staples included faithful versions of Barrett Strong's Motown recording of "Money (That's What I Want)" and The Marvelettes' hit "Please Mr. Postman".
While many of these American influences drew from the blues music form, The Beatles, unlike their contemporaries the Rolling Stones, were seldom directly influenced by the blues. Drawing inspiration from an eclectic variety of sources, their home idiom was closer to pop music (during their early fame they were sometimes referred to as a mod band, a label they seem to have resisted).
'Ello! Don't get this high up on the forum very often, so I'll make it brief before I get a nose bleed.
"Is Joe re-defining the modern day Blues?" No. And this is a personal opinion, but to me Joe isn't really doing anything different to what the likes of Jeff Healey was doing 20 or so years ago. What Joe has done, and by as much bloody hard work as sheer talent, has made people listen, and popularise blues/rock, whatever you want to call it to the extent that larger venues are opening their doors.
Whether that will make the larger record companies sit and take notice will be a double edge sword. Once someone has "broken through" a particular genre, these companies will rush to sign the artist up, to cries of "sell-out" or else they look for "clones" and the music looses it's variety.
As for what you want to call Joe's or anyone's "style" of Blues, well about the only worthwhile thing that Hugh Laurie has ever said is that "genres are for record stores"
So, I'm just going to continue to enjoy the voodoo, that Joe do, so well; and enjoy the folks he's inspired.
Joe artistry spans and morphs into other genres, he is a rare musician who does not stay firmly in one area of music, he is willing to take risks trying out and experimenting in all kinds of music
look at his past voyages into Blues his main artery then Rock which has become more evident in his live shows of reecent years, so a mixture of both in his own unique way, it is polished blues rock for a modern audience but also delving into the history of where he first got into music a la BB King "Yonders Wall" "Someday After a While" this is his first love by far but with the added twist of those british rock bands from the 70's Cream Free & Led Zeppelin makes for that edgier sound on album and in the live show, Funk found its way with Rock Candy Funk Party, another love of a band of musicians he hangs with and relishes that different challenge, The Heavy Rock/Metal side he tried with Black Country Communion and it was fun while it lasted briefly, too much intense intensity was affecting his own normal career and would have engulfed and broken him away from what he built up over 2 decades, his success and goals was always to play blues predominantly, Joe has moved into Soul with Beth Hart which i feel is his best move and there's so much more these 2 can do together, writing, performing live hopefully baround the world cos in just the few shows they done last summer there was an unbelievable chemistry imagine when they click live on a proper tour.
Plus he has done an acoustic album and tour which showed it all stripped back to a country folk feel, i must say i look at that "Vienna" show it is to me his highest acheivment even over RAH and such a wonderful haunting recording showing all manner of emotion, superb JB
So my answer is yes, in his own way to the modern day and that is the key word "Modern" Joe is the torch bearer, i hate using that phrase but he is at the forefront of Blues now while BB, EC & Jeff Beck who are still huge in legendary terms youngsters i guess want a cool lol looking guitar here to look up to and audiences want something fresh, Joe delivers all that with an epic live show and his guitar playing is world renowned now as is so clinically clean and truly awesome like all the old greats from a bygone era his is re reviving that guitar maestro image that all lovers of Rock Blues and any other genre always crave to see, someone screaming the life out of a guitar and then subtlely like an angels heartbeat
Joe is a rare gifted artist spawned out of the usually unheard genre of blues who can and is slowly bringing it to the forefront of the live and music attentitive world
So Blues has Joe to thank
............ Michael
ps ...... i'd like to see Joe hook up with Jeff Beck and Rod Stewart with Carmine on Bass and do a sort of American/British songbook of tunes from yesteryear like a male version of what he's doing with Beth
Joe artistry spans and morphs into other genres, he is a rare musician who does not stay firmly in one area of music, he is willing to take risks trying out and experimenting in all kinds of music
look at his past voyages into Blues his main artery then Rock which has become more evident in his live shows of reecent years, so a mixture of both in his own unique way, it is polished blues rock for a modern audience but also delving into the history of where he first got into music a la BB King "Yonders Wall" "Someday After a While" this is his first love by far but with the added twist of those british rock bands from the 70's Cream Free & Led Zeppelin makes for that edgier sound on album and in the live show, Funk found its way with Rock Candy Funk Party, another love of a band of musicians he hangs with and relishes that different challenge, The Heavy Rock/Metal side he tried with Black Country Communion and it was fun while it lasted briefly, too much intense intensity was affecting his own normal career and would have engulfed and broken him away from what he built up over 2 decades, his success and goals was always to play blues predominantly, Joe has moved into Soul with Beth Hart which i feel is his best move and there's so much more these 2 can do together, writing, performing live hopefully baround the world cos in just the few shows they done last summer there was an unbelievable chemistry imagine when they click live on a proper tour.
Plus he has done an acoustic album and tour which showed it all stripped back to a country folk feel, i must say i look at that "Vienna" show it is to me his highest acheivment even over RAH and such a wonderful haunting recording showing all manner of emotion, superb JBSo my answer is yes, in his own way to the modern day and that is the key word "Modern" Joe is the torch bearer, i hate using that phrase but he is at the forefront of Blues now while BB, EC & Jeff Beck who are still huge in legendary terms youngsters i guess want a cool lol looking guitar here to look up to and audiences want something fresh, Joe delivers all that with an epic live show and his guitar playing is world renowned now as is so clinically clean and truly awesome like all the old greats from a bygone era his is re reviving that guitar maestro image that all lovers of Rock Blues and any other genre always crave to see, someone screaming the life out of a guitar and then subtlely like an angels heartbeat
Joe is a rare gifted artist spawned out of the usually unheard genre of blues who can and is slowly bringing it to the forefront of the live and music attentitive world
So Blues has Joe to thank
............ Michael
ps ...... i'd like to see Joe hook up with Jeff Beck and Rod Stewart with Carmine on Bass and do a sort of American/British songbook of tunes from yesteryear like a male version of what he's doing with Beth
Jeeez, you finally woke up for yourself, Michael. Not sure I can go totally bonkers with you and give you the Fonzie "correctamundo," on all you said elo-sequentially, but I can give you a veritable Sir Arthur Fonzarelli "Aaaaaaaaaayah!!!"
http://www.youtube.com/watch?v=37ax4e4ESS8
Joe is taking yas all deep into a cave and gonna blow out the torch...whatcha gone due now?
Black & Blue Rock hOps ON & Keep the Faith,
Rocket
'Ello! Don't get this high up on the forum very often, so I'll make it brief before I get a nose bleed.
"Is Joe re-defining the modern day Blues?" No. And this is a personal opinion, but to me Joe isn't really doing anything different to what the likes of Jeff Healey was doing 20 or so years ago. What Joe has done, and by as much bloody hard work as sheer talent, has made people listen, and popularise blues/rock, whatever you want to call it to the extent that larger venues are opening their doors.
Whether that will make the larger record companies sit and take notice will be a double edge sword. Once someone has "broken through" a particular genre, these companies will rush to sign the artist up, to cries of "sell-out" or else they look for "clones" and the music looses it's variety.
As for what you want to call Joe's or anyone's "style" of Blues, well about the only worthwhile thing that Hugh Laurie has ever said is that "genres are for record stores"
So, I'm just going to continue to enjoy the voodoo, that Joe do, so well; and enjoy the folks he's inspired.
Perfectly said.
I did not realize your lack of coming on high ground here Banshee!Perhaps those avatars are too scary for the general public. I agree with your post.If Joe becomes successfull whatever is left of the major labels will be out there looking for the next coming.
"At any rate, the seconded Brethren Courtship drew up the Pirate Code which has served just swell. Two of the Pirate Lords, J.P. Morgan McKindleyfaild and Blue Bart, figured it out and wroted it down, and that's what we've all jived by ever since."
Avast, I'm going to show mercy on ye swabbies...Thanks Be Forgiven The Code!
http://www.youtube.com/watch?v=lcE1u2fAkRY
http://www.youtube.com/watch?v=Y6OvsJqimfg
Pardon the exercise of parlay, I be no win the code, mateys ... Shiver me timbres, I though they was more guidelines than actual rules...
http://www.youtube.com/watch?v=jl0hMfqNQ-g
Lifting Anchor and Sailing Away From the Rocks ON the Shored Patrols,
Rocket
"At any rate, the seconded Brethren Courtship drew up the Pirate Code which has served just swell. Two of the Pirate Lords, J.P. Morgan McKindleyfaild and Blue Bart, figured it out and wroted it down, and that's what we've all jived by ever since."
Avast, I'm going to show mercy on ye swabbies...Thanks Be Forgiven The Code!
http://www.youtube.com/watch?v=lcE1u2fAkRY
http://www.youtube.com/watch?v=Y6OvsJqimfgPardon the exercise of parlay, I be no win the code, mateys ... Shiver me timbres, I though they was more guidelines than actual rules...
http://www.youtube.com/watch?v=jl0hMfqNQ-gLifting Anchor and Sailing Away From the Rocks ON the Shored Patrols,
Rocket
Can I suggest more water in your grog, matey, a'fore yee find yourself in some foul smelling forecastle with equally foul smelling folks as'll be yer shipmates. Haarrr!!
Capt. Pugwash RN
http://www.youtube.com/watch?v=fwzVjsu9XvM
Captin Pugwash and Master Bater? How's they get that one passed for a kids show?
Captin Pugwash and Master Bater? How's they get that one passed for a kids show?
they did n't, - urban myth
http://www.snopes.com/radiotv/tv/pugwash.asp
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