KDY wrote:The closest I feel like I have ever come to the violin tone is running a Fulltone ’70 fuzz into the Pearl Drive with the gain at noonish, middle dimed, treble off, and the volume to taste. The Pearl Drive really smoothes out the fuzz. I also run a Zendrive into the Pearl Drive set the same way with good results tho it’s not quite as wild and aggressive. All of this is either thru a Marshall Bluesbreaker RI or an Omega modded fender HRdv. What guitar are you using?
Sorry to hijack the thread, but I have to ask....can you tell me about the Omega mods, the cost and how much it really improves the HRdv. I have one and just bought a gently-used HRDLX which isn't getting me where I want to be, and the samples on Jim's website sound too good to be true. I'd really appreciate some input as I have been seriously thinking about taking the plunge but want some independent viewpoints first.
I'm not a hands-on kinda guy so I don't think the Fromel kit will work for me and I can't justify 700-1000 for the Voodoo Amps/Fargen mods. Omega sounds about right to me. If you (or any other kind souls on here who have had the Omega mods done) could please respond, I'd appreciate it!
Back on topic....I too am searching for the elusive "violin" tone and have yet to acheive it. I have a Zendrive I, a Barber Direct Drive and a stock recent TS9, which I am thinking about sending to Keeley for modding. Sometimes running the TS with the Zendrive has gotten me close, but not always. Both the Zendrive and the Direct Drive seem to respond better to my PRS (humbuckers, obviously), than my Strat. I am a total noob when it comes to delay, the only sound I've found I really like is stuck in my Line 6 Flextone II, even though I have a Boss DD3, I can't seem to get the settings right.
Keep us posted on your progress, please.
CarljMD
Takers get the honey, givers sing the blues