Topic: RAH - Great Event but........
It was very exciting watching Joe make his great entry on to the RAH stage and also quite emotional to witness someone achieving such a career goal. I first saw Joe in the Borderline club, London, in 2006 and was thrilled by one of the most exciting guitarists I had seen in years, particularly in the Blues-Rock genre. I have followed his progress ever since and attended both of the gigs at the Empire, Shepherds Bush. Interestingly enough the difference in sound quality between the two Empire performances was significant. The first time was variable, the second sublime, a truly fantastic gig.
This brings me on to the mixed reations to the sound of the RAH concert. I was in a very good position in the stalls, J section, just to the left of the sound / mixing desks. I can't recall seeing so many technical staff working on the sound etc. but perhaps there were too many cooks spoiling the broth! I thought the sound was initially fine then it deteriorated before steadying again. The RAH is a very difficult venue to get it right, espeically for contemporary amplified music. I have seen quite a few gigs there. Some get it right, some don't. I also have a golden rule - never buy tickets in the higher tiers - the sound disapates badly.
I thought it was too loud, irrespective of the fact that Joe is to the heavier end of blues-rock. At times the vocal and guitar sounds were very shrill and I actually found it bordering on painful. I play in a band myself, been to hundreds of gigs and I like music played loud, so I think I know what I am talking about. The imbalance was best demonstrated by the high pitch of Paul Jones' harmoncia playing, which caused a number of people to wince in the area I was sat.
Joe is both a powerful and subtle player and so it was a little bit of a shame that the "sound masters" did not quite crack it. Nonetheless it was a great event and I am glad I was there to witness a relatively unusual event in modern day music, namely a talent like Joe achieving his rightful place through hard work and inspiration without having to resort to the hype and commercial manipulation that is often associated with success in the music world.
Best of luck Joe for the future and may you continue to prosper.