Danny! wrote:stratpaulguy86 wrote:That particular tone is my personal favorite of Joe's. I don't have the capacity to have four 100 watters so I picked my favorite aspect of Joe's setup and went with that as my main rig. My attempt at that particular sound is a Marshall DSL100 + light reverb + DD-3 in the loop blended with a Ceriatone HRM100 + delta lab chorus + holy grail reverb in the loop. Then I add pedals to change the character a little bit. I add the Tube Driver for the EJ Cliffs of Dover thing, the TS808 for a little more mids and gain, and finally the OCD for more of an aggressive loud Marshall type overdrive. I like the variabilitly of the pedals so I don't have to lug more amps around!
Great to see another Tube Driver user on here, how do you like yours?
I use to really have a love/hate relationship with mine...you really have to be careful with how you use it. It's the 3 knob Tube Works version and a really great sounding distortion unit. You can only use it in front of an amp with either a clean or semidistorted sound or else it's a one way ticket to Mushville. My settings are Volume 1 o'clock, tone noon, and gain 9 o'clock. Just enough to be about even volume when engaged and to add that fat, EJ-like voilin sound.
I use it for more of the smooth EJ/Gilmour type stuff but it can definately get into ZZ Top territory if you dime the tone knob and use a Les Paul.
'67 and '74 Fender Twin Reverbs, '74 Marshall 1987 lead mkII, Metro Superlead 100. Pedals from TC Electronic, Ibanez, Dunlop, BK Butler, Electro-Harmonix, Fulltone, Maestro/Gibson, Loopmaster switching, VoodooLab, Boss. Gibson and Fender guitars, Dimarzio pickups.