Topic: Sound
Firstly I had better state that I am a big JB fan. I picked up one of his tuition videos in a jumble sale once and that's how I got to hear of him. I was present at Mr Kyps, Friday 3 Aug, yesterday in fact. First time I have seen him live. I have to say it was disappointing. Why? The sound. One of my favourite YOUTUBE videos, one that I revisit time and again, is his Blues Deluxe live performance. What a great pity that the tone he produced on that night, in that little club, wherever it was, was not reproduced at Mr. Kyps. This goes for both the voice and the guitar. I know that different venues require different approaches and that Les Pauls sound different from Strats but it seems to me that the sound guys have lost the plot in terms of tone, at the level of basic principle. This is only my opinion but in essence blues and endless chains of digital fx in the signal path and saturated overdrive and copious echo and reverb on vocal mics don't go together. These things are for the spandex- clad, poodle- haired ones. I was well placed last night, about 15 feet from the stage in the middle. The overall sound was, basically, mush. I could see that JB was playing some wicked riffs on the upper strings of his Les Paul but we couldnt hear it. It was all lost in the general mush of excess delay and overdrive. I have experienced something similar with another favourite of mine Walter Trout at a UK gig last year. That, in your face, power tube- cooking breakup which makes the blues come alive on the electric was just not there. It sounded like he was miming to a Hi FI record, but he wasn't. Sadly the emotional impact of the blues he was playing was lost somewhere in the sound desk. People were stood around not realising why they were not responding. It was the sound, simple as that. Pity, Joe is a great blues player but I think he needs to attend to the stage sound. Perhaps it's a British thing. Maybe that's how they like their blues in the USA! these days. What a shame.