Just piling on to what others have already noted: this was an outstanding performance in a very unique venue.
Sunday nights you're more likely to catch me watching re-runs of 'Axe Men', but with the opportunity staring me in the face to see the real deal i just couldn't resist. Drove down from the Motor City to catch my fifth show. Somewhat hesitatingly brought my g/f with me - not exactly a Joe B. fan (Jimmy Buffet is more her speed), but she remained into the act throughout. On the way back to the hotel even admitted that it was the best show she'd ever seen. Coming from a Parrothead i would take that as high praise indeed.
The set was virtually unchanged from the previous few shows, so i won't bother re-posting.
Virtually a sold-out show - only a handful of uppermost balcony seats remained. I don't believe there's a bad seat in the house, and from our vantage point in the fourth row balcony we were virtually on top of the stage. For such a compact venue, i would have expected a blow-out, but the mix was quite appropriate - high octane, but clean and just enough room to hear oneself singing along at all the best parts without disturbing your neighbor.
I don't really know quite what to say without gushing...loved what he did with the bridge on 'Last Kiss', which rocked the house from start to finish. Ditto for the bridge work in 'Happier Times', which in the studio is haunting enough, but live it went to another level for me. Although 'Sloe Gin' has not been among my favorite (studio) tracks, his live interpretation won a new convert for this tune.
And as for 'Woke up Dreaming'...quite possibly the single best solo performance (for me) of all time. Is there anything he cannot do? What amazes me about Joe is how he can take a work, slice it, dice it, and then re-combine it ways heretofore unimaginable. He must have covered at least 12 different musical styles in this number - which no one seemed to want him to find an end for. One minute you were sure he was about to bust a string, and then the next thing you know he's feathering the softest tones of sweet delight. Whether his own compositions or the work of others, he has graduated from being merely an outstanding guitar player (which he's always been) to that of an outstanding performer. Thoroughly polished, professional, approaching maestro status. There really is no need for him to share the stage with others, if he so chooses.
I'm at the point now where i almost don't care if he ever releases another studio work - just so long as he continues to tour and put on shows as good as the one i just witnessed in Dayton OH. It was THAT good.